Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... looks of Mrs. Siddons " ( 21 ) . Mrs. Siddons's portraits of Shakespeare's Volumnia and Constance stand as works of art ... look and figure in these readings . ( 109 ) Siddons , admired by the portrait painter Sir Joshua Reynolds , notes ...
... looks of Mrs. Siddons " ( 21 ) . Mrs. Siddons's portraits of Shakespeare's Volumnia and Constance stand as works of art ... look and figure in these readings . ( 109 ) Siddons , admired by the portrait painter Sir Joshua Reynolds , notes ...
104 ページ
... look upon her without being recognized himself , " her very words , her very looks / Will acquit her or convict . " Meanwhile , Ordonio is determined to finally marry Teresa himself ; but Teresa will not consent to marry Ordonio -- whom ...
... look upon her without being recognized himself , " her very words , her very looks / Will acquit her or convict . " Meanwhile , Ordonio is determined to finally marry Teresa himself ; but Teresa will not consent to marry Ordonio -- whom ...
225 ページ
... look to the past masters for styles to imitate blindly , but rather that he look to new models addressing the con- temporary world . After all , according to Byron , even though Shakespeare himself looked backward for his " subjects ...
... look to the past masters for styles to imitate blindly , but rather that he look to new models addressing the con- temporary world . After all , according to Byron , even though Shakespeare himself looked backward for his " subjects ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York