Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... paintings , especially history paintings , and the theatre dur- ing the period . As a genre , history painting purported to capture patriotic scenes from a nation's past , executed , in various styles and with varying degrees of ...
... paintings , especially history paintings , and the theatre dur- ing the period . As a genre , history painting purported to capture patriotic scenes from a nation's past , executed , in various styles and with varying degrees of ...
52 ページ
... painting borrowed their themes from history painting . Each art form influenced other art forms . Artistic and generic reciprocity and influence could be seen also in portrait painting as it took for its subjects increasingly famous ...
... painting borrowed their themes from history painting . Each art form influenced other art forms . Artistic and generic reciprocity and influence could be seen also in portrait painting as it took for its subjects increasingly famous ...
56 ページ
... painting at one glance ; and it is not inaccurate to say that this change began with the Romantics . Romantic art , as Hazlitt's essays on the graphic art of Hogarth point out , brings back to paint- ing the movement and passion that ...
... painting at one glance ; and it is not inaccurate to say that this change began with the Romantics . Romantic art , as Hazlitt's essays on the graphic art of Hogarth point out , brings back to paint- ing the movement and passion that ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York