Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... period in England from 1798 to 1832. During this period , not only did the effects of the French Revolution dominate center stage , radical changes in industry , science , culture , and art played major roles . The Romantic age ...
... period in England from 1798 to 1832. During this period , not only did the effects of the French Revolution dominate center stage , radical changes in industry , science , culture , and art played major roles . The Romantic age ...
18 ページ
... period resembles the Renaissance period in many ways : the bourgeois class was rapidly increasing in size ; the masses were becoming more educated ; the landed aristocracy was again in grave danger of losing its traditional power . It ...
... period resembles the Renaissance period in many ways : the bourgeois class was rapidly increasing in size ; the masses were becoming more educated ; the landed aristocracy was again in grave danger of losing its traditional power . It ...
174 ページ
... period as beginning as early as 1775 with the American War for Independence and ending as late as 1850 with the death of Wordsworth , while others place the period from the pub- lication of The Lyrical Ballads in 1798 to the death of ...
... period as beginning as early as 1775 with the American War for Independence and ending as late as 1850 with the death of Wordsworth , while others place the period from the pub- lication of The Lyrical Ballads in 1798 to the death of ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
著作権 | |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York