Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
この書籍内から
検索結果1-3 / 17
9 ページ
... person and acting " represent " can never be known . Rather , the real issue lies in the fact that the audience knows it is seeing a portrait of Ham- let , not Hamlet himself , and that this portrait is a thing of verbal and visual lan ...
... person and acting " represent " can never be known . Rather , the real issue lies in the fact that the audience knows it is seeing a portrait of Ham- let , not Hamlet himself , and that this portrait is a thing of verbal and visual lan ...
194 ページ
... person completely help- less . Common observations as remnants of eighteenth - century thought led to the belief that when a person became completely dependent on imagination , on a world of visions or invisible forms of the mind , that ...
... person completely help- less . Common observations as remnants of eighteenth - century thought led to the belief that when a person became completely dependent on imagination , on a world of visions or invisible forms of the mind , that ...
207 ページ
... person . We are then to ask to which spectacle the person would repair . But there is in the essentials of the case no similitude ; for whatever may be our sensations when the atten- tion is recalled to a scenic representation how ...
... person . We are then to ask to which spectacle the person would repair . But there is in the essentials of the case no similitude ; for whatever may be our sensations when the atten- tion is recalled to a scenic representation how ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
著作権 | |
他の 5 セクションは表示されていません
多く使われている語句
abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York