Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... production from 1660 to 1830 , sounds positive about The Family Legend even though he is often highly critical of Romantic dramas ; he concedes that the " language of the play is frequently beautiful , and the plot interesting ...
... production from 1660 to 1830 , sounds positive about The Family Legend even though he is often highly critical of Romantic dramas ; he concedes that the " language of the play is frequently beautiful , and the plot interesting ...
101 ページ
... produce visual objects , and he shows a fundamental similarity between painting and poetry as he discusses this " ideal " play : The power of Poetry is by a single word to produce that energy in the mind as compels the imagination to ...
... produce visual objects , and he shows a fundamental similarity between painting and poetry as he discusses this " ideal " play : The power of Poetry is by a single word to produce that energy in the mind as compels the imagination to ...
201 ページ
... production , in fact , was due almost entirely to Scott's efforts . In 1809 he had becomes one of the Theatre's trustees . Henry Siddons , the manager , was one of Sarah Siddons's sons , continuing the reign of a famous theatrical ...
... production , in fact , was due almost entirely to Scott's efforts . In 1809 he had becomes one of the Theatre's trustees . Henry Siddons , the manager , was one of Sarah Siddons's sons , continuing the reign of a famous theatrical ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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