Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... speak meta- phorically , a speaking picture -- with this end , to teach and delight . ( 506-08 ) After Sidney , aesthetic opinion remained quiet on the issue of the rela- tion between the sister arts until 1766 , when Gotthold Ephraim ...
... speak meta- phorically , a speaking picture -- with this end , to teach and delight . ( 506-08 ) After Sidney , aesthetic opinion remained quiet on the issue of the rela- tion between the sister arts until 1766 , when Gotthold Ephraim ...
22 ページ
... speaking as they truly speak . " Feelings can have nothing to do with stilted , selected , pompous speech . This neither arises from feeling nor gives rise to it . Feeling deals in the simplest , commonest , plainest words 222.
... speaking as they truly speak . " Feelings can have nothing to do with stilted , selected , pompous speech . This neither arises from feeling nor gives rise to it . Feeling deals in the simplest , commonest , plainest words 222.
61 ページ
... speaking and acting as men and women never did speak or act " ( 19 ) and advocating instead the use of " simple , natural speech , " these new literary works , especially with their prefatory essay , represented a new democratic age ...
... speaking and acting as men and women never did speak or act " ( 19 ) and advocating instead the use of " simple , natural speech , " these new literary works , especially with their prefatory essay , represented a new democratic age ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York