Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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... spectators to witness themselves and their passions simultaneously as phantasti- cally unreal and with sympathetic recognition . Illusion as the mental state will- ingly engaged by the spectators of paintings , poetry , and performances ...
... spectators to witness themselves and their passions simultaneously as phantasti- cally unreal and with sympathetic recognition . Illusion as the mental state will- ingly engaged by the spectators of paintings , poetry , and performances ...
99 ページ
... spectators . Spectators , whether they wit- ness a painting or a stage production , willingly suspend their comparing power to ordinary reality ; they willingly suspend their disbelief for the moment . Spec- tators compare the dramatic ...
... spectators . Spectators , whether they wit- ness a painting or a stage production , willingly suspend their comparing power to ordinary reality ; they willingly suspend their disbelief for the moment . Spec- tators compare the dramatic ...
100 ページ
... spectators choose to be deceived ( LL 1.236 ) . All of this is pertinent to a discussion of Coleridge as a dramatistbecause Coleridge thematizes illusion in his own dramas , and particularly he objectifies the con- trary of illusion ...
... spectators choose to be deceived ( LL 1.236 ) . All of this is pertinent to a discussion of Coleridge as a dramatistbecause Coleridge thematizes illusion in his own dramas , and particularly he objectifies the con- trary of illusion ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York