Dark Imagination: Poetic Painting in Romantic DramaUniversity of California, Santa Cruz, 1992 - 516 ページ |
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64 ページ
... tragedy on love ; De Monfort , a tragedy on hate ; and The Tryal , a comedy on love . Before he knew her identity , Thomas Campbell wrote of Baillie in the New Monthly Magazine in 1798 that " his characters are in general strongly dis ...
... tragedy on love ; De Monfort , a tragedy on hate ; and The Tryal , a comedy on love . Before he knew her identity , Thomas Campbell wrote of Baillie in the New Monthly Magazine in 1798 that " his characters are in general strongly dis ...
163 ページ
... tragedy further suggests that his idea of Hellenic style incorporated definitions of tragedy as a chain of murder , family tragedy as reflections of the original Oedipal triangle . In Biblical terms , the original family myth is also a ...
... tragedy further suggests that his idea of Hellenic style incorporated definitions of tragedy as a chain of murder , family tragedy as reflections of the original Oedipal triangle . In Biblical terms , the original family myth is also a ...
166 ページ
... tragedy is evident in the final scene . Like Oedipus before him , the Byronic hero represented in Cain becomes the ... tragedy , a movement from purpose , to passion , and finally , to a devastating perception . Man is depicted in this ...
... tragedy is evident in the final scene . Like Oedipus before him , the Byronic hero represented in Cain becomes the ... tragedy , a movement from purpose , to passion , and finally , to a devastating perception . Man is depicted in this ...
目次
Scenes of Dramatic Conflict Critical Context and Background | 6 |
The Curtain Goes Up | 33 |
Joanna Baillie Passions of the Mind Set the Stage | 61 |
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abyss action actors aesthetic Alvar argues artist audience Baillie's Beatrice Beatrice's Burwick Byron Byronic hero Cain Cenci character Coleridge Coleridge's conception consciousness Constantine Covent Garden create Critical dark delusion depiction discussion dramatists dream Drury Lane effect ekphrasis English Essays expression Faliero feelings figure Giaour Hazlitt hero history painting human ideas imagery imagination Isidore Joanna Baillie John John Philip Kemble Kean Kemble language Laocoön Lessing's light literary Literature London Manfred Marino Faliero mind mirror Monfort murder nature Ordonio painters painting and poetry passions perception performance picture play poet poetic political portrait present Princeton Prometheus Unbound psychological reality Remorse representation Rezenvelt Romantic drama Romanticism Samuel Taylor Coleridge Sardanapalus says scene scenery scenic Scott Shakespeare Shelley Shelley's Siddons skiagraphia skiagraphic spectators stage illusion sublime suggests Teresa theatrical Theory things thought tion tragedy tragic Trans verbal vision visual arts vols words Wordsworth writes York