That half-mad thing of witty rhymes
Which you last April made!"

In silence Matthew lay, and eyed
The spring beneath the tree;

And thus the dear old Man replied,
The gray haired man of glee :

"No check, no stay, this Streamlet fears;

How merrily it goes!

Twill murmur on a thousand years, And flow as now it flows.

“And here, on this delightful day,
I cannot choose but think
How oft, a vigorous man, I lay
Beside this fountain's brink.

"My eyes are dim with childish tears, My heart is idly stirred,

For the same sound is in my ears
Which in those days I heard,

"Thus fares it still in our decay : And yet the wiser mind

Mourns less for what age takes away Than what it leaves behind.

"The blackbird amid leafy trees, The lark above the hill,

Let loose their carols when they please Are quiet when they will.

"With Nature never do they wage
A foolish strife; they see

A happy youth, and their old age
Is beautiful and free:

"But we are pressed by heavy laws; And often, glad no more,

We wear a face of joy, because
We have been glad of yore.

"If there be one who need bemoan His kindred laid in earth,

The household hearts that were his own; It is the man of mirth.

My days, my Friend, are almost gone, My life has been approved, And many love me; but by none Am I enough beloved."

"Now both himself and me he wrongs,
The man who thus complains;
I live and sing my idle songs
Upon these happy plains;

Written at Goslar in Germany. It was founded on a circumstance told me by my Sister. of a little girl who, not far from Halifax in Yorkshire, was bewildered in a snow-storm. Her footsteps were traced by her parents to the middle of the lock of a canal, and no other vestige of her, backward or forward, could be traced. The body however was found in the canal. The way in which the incident was treated and the spiritualizing of the character might furnish hints for contrasting the imaginative influences which I have endeavored to throw over common life with Crabbe's matter of fact style of treating subjects of the same kind. This is not spoken to his disparagement, far from it, but to direct the attention of thoughtful readers, into whose hands these notes may fall, to a comparison that may both enlarge the circle of their sensibilities, and tend to produce in them a catholic judgment. Wordsworth.)

See also Henry Crabb Robinson's Diary, Sept. 11, 1816.

OFT I had heard of Lucy Gray:
And, when I crossed the wild,
I chanced to see at break of day
The solitary child.

No mate, no comrade Lucy knew ;
She dwelt on a wide moor,
-The sweetest thing that ever grew
Beside a human door!

You yet may spy the fawn at play,
The hare upon the green;

But the sweet face of Lucy Gray
Will never more be seen.

| "To-night will be a stormy night—
You to the town must go;
And take a lantern, Child, to light
Your mother through the snow.

"That. Father! will I gladly do:
Tis scarcely afternoon-

The minster-clock has just struck two, And yonder is the moon!"

At this the Father raised his hook, And snapped a fagot band;

He plied his work ;-and Lucy took The lantern in her hand.

Not blither is the mountain roe:
With many a wanton stroke

Her feet disperse the powdery snow,
That rises up like smoke.

The storm came on before its time:
She wandered up and down;
And many a hill did Lucy climb:
But never reached the town.

The wretched parents all that night
Went shouting far and wide;

But there was neither sound nor sight
To serve them for a guide.

At daybreak on the hill they stood
That overlooked the moor;

And thence they saw the bridge of wood,
A furlong from their door.

They wept-and, turning homeward, cried,

"In heaven we all shall meet ;" -When in the snow the mother spied The print of Lucy's feet.

Then downwards from the steep hill's edge

They tracked the footmarks small; And through the broken hawthorn hedge.

And by the long stone-wall;

And then an open field they crossed:
The marks were still the same;
They tracked them on, nor ever lost;
And to the bridge they came.

They followed from the snowy bank
Those footmarks, one by one,
Into the middle of the plank;
And further there were none !

-Yet some maintain that to this day She is a living child ;

That you may see sweet Lucy Gray Upon the lonesome wild.

O'er rough and smooth she trips along,
And never looks behind;
And sings a solitary song
That whistles in the wind.

1799. 1800.

MICHAEL

A PASTORAL POEM

Written at Town-end, Grasmere, about the same time as "The Brothers." The Sheepfold, on which so much of the poem turns, remains, or rather the ruins of it. The character and circumstances of Luke were taken from a family to whom had belonged, many years before, the house we lived in at Town-end, along with some fields and woodlands on the eastern shore of Grasmere. The name of the Evening Star was not in fact given to this house, but to another on the same side of the valley, more to the north. (Wordsworth.)

IF from the public way you turn your steps

Up the tumultuous brook of Greenhead Ghyll,

You will suppose that with an upright path

Your feet must struggle; in such bold ascent

The pastoral mountains front you, face to face.

But, courage! for around that boisterous brook

The mountains have all opened out themselves,

And made a hidden valley of their own. No habitation can be seen; but they Who journey thither find themselves alone

With a few sheep, with rocks and stones, and kites

That overhead are sailing in the sky.
It is in truth an utter solitude;

Nor should I have made mention of this
Dell

But for one object which you might pass by,

Might see and notice not. Beside the

brook

Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and
think

(At random and imperfectly indeed)
On man, the heart of man, and human
life.

Therefore, although it be a history Homely and rude, I will relate the same For the delight of a few natural hearts; And, with yet fonder feeling, for the sake

Of youthful Poets, who among these hills Will be my second self when I am gone. UPON the forest-side in Grasmere Vale There dwelt a Shepherd, Michael was his name;

An old man, stout of heart, and strong of limb.

His bodily frame had been from youth to age

Of an unusual strength: his mind was keen,

Intense, and frugal, apt for all affairs, And in his shepherd's calling he was

prompt

And watchful more than ordinary men. Hence had he learned the meaning of all winds, .

Of blasts of every tone; and, oftentimes, When others heeded not, He heard the

South

Make subterraneous music, like the noise Of bagpipers on distant Highland hills. The Shepherd, at such warning, of his flock

Bethought him, and he to himself would

say,

"The winds are now devising work for me!"

And, truly, at all times, the storm that drives

The traveller to shelter, summoned him Up to the mountains: he had been alone Amid the heart of many thousand mists, That came to him, and left him, on the heights.

So lived he till his eightieth year was past.

And grossly that man errs, who should

suppose

That the green valleys, and the streams and rocks,

Were things indifferent to the Shepherd's thoughts.

Fields, where with cheerful spirits he had breathed

The common air; hills, which with vigorous step

Sat round the basket piled with oaten cakes,

And their plain home-made cheese. Yet when the meal

Was ended, Luke (for so the Son was named)

And his old Father both betook themselves

To such convenient work as might employ

Their hands by the fireside; perhaps to

card

Wool for the Housewife's spindle, or repair

Some injury done to sickle, flail, or scythe,

Or other implement of house or field. Down from the ceiling, by the chimney's edge,

That in our ancient uncouth country style

With huge and black projection overbrowed

Large space beneath, as duly as the light Of day grew dim the Housewife hung a lamp;

An aged utensil, which had performed Service beyond all others of its kind. Early at evening did it burn-and late, Surviving comrade of uncounted hours, Which, going by from year to year, had found,

And left, the couple neither gay perhaps Nor cheerful, yet with objects and with hopes,

Living a life of eager industry.

And now, when Luke had reached his eighteenth year,

There by the light of this old lamp they sate.

Father and Son, while far into the night The Housewife plied her own peculiar work,

Making the cottage through the silent

hours

Murmur as with the sound of summer flies.

This light was famous in its neighborhood,

And was a public symbol of the life That thrifty Pair had lived. For, as it chanced,

Their cottage on a plot of rising ground Stood single, with large prospect, north and south,

High into Easedale, up to Dunmail

Raise.

And westward to the village near the lake;

And from this constant light, so regular And so far seen, the House itself, by all Who dwelt within the limits of the vale. Both old and young, was named THE EVENING STAR.

Thus living on through such a length of years,

The Shepherd, if he loved himself, must needs

Have loved his Helpmate; but to Michael's heart

This son of his old age was yet more dear

Less from instinctive tenderness, the

same

Fond spirit that blindly works in the blood of all

Than that a child, more than all other gifts

That earth can offer to declining man, Brings hope with it, and forward-look

ing thoughts,

And stirrings of inquietude, when they By tendency of nature needs must fail. Exceeding was the love he bare to him, His heart and his heart's joy! For oftentimes

Old Michael, while he was a babe in

arms,

Had done him female service, not alone For pastime and delight, as is the use Of fathers, but with patient mind enforced

To acts of tenderness; and he had rocked

His cradle, as with a woman's gentle hand.

And, in a later time, ere yet the Boy Had put on boy's attire, did Michael love.

Albeit of a stern unbending mind, To have the Young-one in his sight, when he

Wrought in the field, or on his shepherd's stool

Sate with a fettered sheep before him stretched

Under the large old oak, that near his door

Stood single, and, from matchless depth of shade,

Chosen for the Shearer's covert from the

sun,

Thence in our rustic dialect was called The CLIPPING TREE, a name which yet it bears.

1 Clipping is the word used in the North of England for shearing. (Wordsworth.)