Rambles and ReveriesJ.P. Giffing, 1841 - 436 ページ |
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... beautiful specimen is at present fixed in the sacristy of the cathe . dral . It represents the angel visiting Elijah in the desert ; and dimmed as are its tints by time and moisture , no one can gaze upon the sweet face of the angel ...
... beautiful specimen is at present fixed in the sacristy of the cathe . dral . It represents the angel visiting Elijah in the desert ; and dimmed as are its tints by time and moisture , no one can gaze upon the sweet face of the angel ...
18 ページ
... beautiful bay , my eye ranged along the palaces which line the Marina , till it rested instinctively upon the hospitable mansion of the American Consul - a gentleman whose home - taught pro- bity and application , and whose attachment ...
... beautiful bay , my eye ranged along the palaces which line the Marina , till it rested instinctively upon the hospitable mansion of the American Consul - a gentleman whose home - taught pro- bity and application , and whose attachment ...
43 ページ
... beautiful grey oxen and load- ed with a reeking butt of new wine , proclaimed that it was the season of vintage . But autumn was not less pleas- ingly indicated , by the clusters of purple grapes suspended from cane - poles at almost ...
... beautiful grey oxen and load- ed with a reeking butt of new wine , proclaimed that it was the season of vintage . But autumn was not less pleas- ingly indicated , by the clusters of purple grapes suspended from cane - poles at almost ...
46 ページ
... beautiful episode of Dante's Inferno , has been dramatized by Silvio Pellico , and forms the sub- ject of one of Leigh Hunt's most graphic poems . If the visitor endeavors to recall to his mind the knightly splen- dor which , at that ...
... beautiful episode of Dante's Inferno , has been dramatized by Silvio Pellico , and forms the sub- ject of one of Leigh Hunt's most graphic poems . If the visitor endeavors to recall to his mind the knightly splen- dor which , at that ...
47 ページ
... side , it presents a beautiful line of hills rising in picturesque gradation , and on the other , a dissevered cliff surmounted by an abrupt wall of rock . The soil is argillaceous and abounds in sulphur SAN MARINO . 47.
... side , it presents a beautiful line of hills rising in picturesque gradation , and on the other , a dissevered cliff surmounted by an abrupt wall of rock . The soil is argillaceous and abounds in sulphur SAN MARINO . 47.
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admiration affection amid ancient artist associations awaken bard beautiful beneath Bologna breath calm character Charles Lamb charm cherished cholera Corso Donati deep delightful destiny devoted displayed Elia eloquent essays essays of Elia excited expression eye-language faith fame fancy favorite feeling Florence flowers gaze genius Genoa Goldsmith grace hair happy heart honor hour human humor idea imagination impression influence inspiration interest Italian Italy Lamb less light literary literature look manner memory ment mind moral mountains muse native nature never night noble observation Palermo passed passion peculiar pet-notions Petrarch picture pietra dura Pisa pleasure poems poet poetical poetry Pope present Ravenna remarkable rich Rimini San Marino scarcely scene seemed sentiment Shelley Shelley's Sicily singular smile soon soul spirit sweet sympathy talent taste Thespis things thought tion touching true truth Turin Tuscany Vaucluse wonder writing young youth
人気のある引用
300 ページ - Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.
376 ページ - Alack, there lies more peril in thine eye Than twenty of their swords : look thou but sweet, And I am proof against their enmity.
228 ページ - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
267 ページ - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
252 ページ - The breath whose might I have invoked in song Descends on me; my spirit's bark is driven, Far from the shore, far from the trembling throng Whose sails were never to the tempest given; The massy earth and sphered skies are riven! I am borne darkly, fearfully, afar; Whilst burning through the inmost veil of Heaven, The soul of Adonais, like a star, Beacons from the abode where the Eternal are.
287 ページ - But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain-light of all our day, Are yet a master-light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal Silence...
271 ページ - I saw her upon nearer view A spirit, yet a woman too ! Her household motions light and free, And steps of virgin liberty ; A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food : For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
297 ページ - REMORSE is as the heart in which it grows : If that be gentle, it drops balmy dews Of true repentance ; but if proud and gloomy, It is a poison-tree, that pierced to the inmost Weeps only tears of poison ! Alv.
311 ページ - And sumless riches, from affection's deep, To pour on broken reeds— a wasted shower ! And to make idols, and to find them clay, And to bewail that worship — therefore pray!
287 ページ - But, speaking in language somewhat more appropriate, it is to follow the fluxes and refluxes of the mind when agitated by the great and simple affections of our nature.