Rambles and ReveriesJ.P. Giffing, 1841 - 436 ページ |
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... from a magnificent church that stands in the midst of this solitude , the interior columns of which were transported from Constantinople , no living object disturbed the pro- found repose of the scene , but a group of A Day at Ravenna,
... from a magnificent church that stands in the midst of this solitude , the interior columns of which were transported from Constantinople , no living object disturbed the pro- found repose of the scene , but a group of A Day at Ravenna,
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... object , I caught a glimpse of the ancient and noble dome of St. Guiseppe , beneath whose shadow was the dwelling of one whose melody had often stirred my weary pulse , and still rang sweetly in my memory . At length the distant ...
... object , I caught a glimpse of the ancient and noble dome of St. Guiseppe , beneath whose shadow was the dwelling of one whose melody had often stirred my weary pulse , and still rang sweetly in my memory . At length the distant ...
31 ページ
... object was not to pilfer . One climbed to the front of the build- ing , and having calmly cut to pieces the inscribed marble tablet , touched several times the king's arms which were inscribed above and then kissed his hand , amid the ...
... object was not to pilfer . One climbed to the front of the build- ing , and having calmly cut to pieces the inscribed marble tablet , touched several times the king's arms which were inscribed above and then kissed his hand , amid the ...
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... objects of interest with which we came in view . Here was a little chapel under whose walls a notorious thief concealed ... object could the eye detect , to counteract the too obvious evidences of human misery . In all the Papal villages ...
... objects of interest with which we came in view . Here was a little chapel under whose walls a notorious thief concealed ... object could the eye detect , to counteract the too obvious evidences of human misery . In all the Papal villages ...
48 ページ
... object is no small evidence of their at- tachment to freedom , which is not less signally indicated by the remarkable and at that period unique inscription placed upon their church - DIVO . MARINO . PATRONO . ET LIBERTATIS AUCTORI ...
... object is no small evidence of their at- tachment to freedom , which is not less signally indicated by the remarkable and at that period unique inscription placed upon their church - DIVO . MARINO . PATRONO . ET LIBERTATIS AUCTORI ...
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多く使われている語句
admiration affection amid ancient artist associations awaken bard beautiful beneath Bologna breath calm character Charles Lamb charm cherished cholera Corso Donati deep delightful destiny devoted displayed Elia eloquent essays essays of Elia excited expression eye-language faith fame fancy favorite feeling Florence flowers gaze genius Genoa Goldsmith grace hair happy heart honor hour human humor idea imagination impression influence inspiration interest Italian Italy Lamb less light literary literature look manner memory ment mind moral mountains muse native nature never night noble observation Palermo passed passion peculiar pet-notions Petrarch picture pietra dura Pisa pleasure poems poet poetical poetry Pope present Ravenna remarkable rich Rimini San Marino scarcely scene seemed sentiment Shelley Shelley's Sicily singular smile soon soul spirit sweet sympathy talent taste Thespis things thought tion touching true truth Turin Tuscany Vaucluse wonder writing young youth
人気のある引用
300 ページ - Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.
376 ページ - Alack, there lies more peril in thine eye Than twenty of their swords : look thou but sweet, And I am proof against their enmity.
228 ページ - Kent. Vex not his ghost. O, let him pass! He hates him That would upon the rack of this tough world Stretch him out longer.
267 ページ - Tho' they may gang a kennin wrang, To step aside is human : One point must still be greatly dark, The moving Why they do it ; And just as lamely can ye mark, How far perhaps they rue it. Who made the heart, 'tis He alone Decidedly can try us, He knows each chord its various tone, Each spring its various bias : Then at the balance let's be mute, We never can adjust it ; What's done we partly may compute, But know not what's resisted.
252 ページ - The breath whose might I have invoked in song Descends on me; my spirit's bark is driven, Far from the shore, far from the trembling throng Whose sails were never to the tempest given; The massy earth and sphered skies are riven! I am borne darkly, fearfully, afar; Whilst burning through the inmost veil of Heaven, The soul of Adonais, like a star, Beacons from the abode where the Eternal are.
287 ページ - But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain-light of all our day, Are yet a master-light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal Silence...
271 ページ - I saw her upon nearer view A spirit, yet a woman too ! Her household motions light and free, And steps of virgin liberty ; A countenance in which did meet Sweet records, promises as sweet ; A creature not too bright or good For human nature's daily food : For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles.
297 ページ - REMORSE is as the heart in which it grows : If that be gentle, it drops balmy dews Of true repentance ; but if proud and gloomy, It is a poison-tree, that pierced to the inmost Weeps only tears of poison ! Alv.
311 ページ - And sumless riches, from affection's deep, To pour on broken reeds— a wasted shower ! And to make idols, and to find them clay, And to bewail that worship — therefore pray!
287 ページ - But, speaking in language somewhat more appropriate, it is to follow the fluxes and refluxes of the mind when agitated by the great and simple affections of our nature.