Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... aware of it . Students are often amazed at how easily an experienced teacher / director can determine when and where they blanked out on their lines . The answer is simple : it can be found in the sudden reappearance of inappropriate ...
... aware that our neck muscles tighten and contract to the point where we get tension headaches . Although we are rarely aware of it , a great deal of 54 Acting Skills for Life.
Third Edition Ron Cameron. are rarely aware of it , a great deal of tension is also held in the spine . The spine changes its alignment as physical tension creeps into the muscles of the torso . This subtle change of alignment affects ...
... aware that another part of your body feels tense . Although you are focusing on the torso , tension may be discovered in an arm or a leg as well . No matter where it appears , focus on it and breathe it out of your body . Listen to what ...
... aware of the position . of the tongue tip in making this overly sibilant “ s ” sound . Do you see how much tension also goes into the face and the neck ? File this information away so that you have a point of comparison when you ...
目次
11 | |
25 | |
33 | |
43 | |
71 | |
99 | |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
Bibliography | 475 |