Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... character's mind through actioning Rediscovering physical and vocal action • Emotions and breath • When to use technique • When to let go of technique Chapter 13 : External Approaches to Characterization 271 • Flexibility.
... breath at a particularly there is often a temptation to anticipate the same reaction the next night . If instead a giggle breaks out in the audience , the actor can become upset with the audience . This can be the kiss of death for the ...
... breathing and voice production become tight . This adversely affects the quality of the spoken word . We have all seen this problem demonstrated when an obviously nervous person stands up to speak before an audience and suddenly his or ...
... breath ) then suddenly letting everything go . It's a fast way to discover a state of relaxation . This group of ... breathing exercises , sit down where you are and wait for the next exercise . If emotional distress or concentration ...
... breathing pattern with the movement of the stretch . Focus on each breath in and out as you stretch . Add a sound to each exhalation . This should be thought of not as a " note " but simply as a natural yawning sound . Don't feel you ...
目次
11 | |
25 | |
33 | |
43 | |
Voice and the Actor | 71 |
Developing the Actors Voice | 99 |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
475 | |