Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... Comic “ shtick ” • Cartoon acting • Style in acting Chapter 18 : Today's Influences on Acting 361 • • The function of songs in plays and musicals Stage versus television : degree of release · Acting for television Chapter 19 ...
... comic principles , acting styles , script interpretation , and the Canadian contribution to a literary and theatrical heritage . Acting teachers must carry around in their heads about 20 times the amount of material required for each ...
... comic and dramatic principles , style , dramaturgy , script analysis , and an understanding of our literary and theatrical heritage . Acting skills , then , prepare us for life because acting develops personal and social skills . Every ...
... comic or dramatic in form , is conflict . Conflict leads to the discovery of the action of the play . There are two types of conflict : external and internal . External conflict is generally provided by the playwright and is 29 Chapter ...
... comic delivery is to keep the voice alive and energetic to the last word in the line . Very often it is the final word of a comic line that triggers the laugh . Try this exercise : tell your favourite joke but deliberately drop the ...
目次
11 | |
25 | |
33 | |
43 | |
71 | |
99 | |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
Bibliography | 475 |