Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... Director / Coach Chapter 21 : How to Help the Actor with Problems in Acting 427 • Twelve common problems in acting and how to deal with them Chapter 22 : Advice for the Novice Director 443 • Finding the right script · Creating a good ...
... oversight is unintentional . I apologize and plead my overriding belief that all theatre involves sharing . As Christopher Newton , long - time Artistic Director of the Shaw Festival at Niagara - on - the - Acknowledgments.
... find some interesting new ideas in this , the third edition . To those of you who are new to Acting Skills for Life , welcome aboard . Ron Cameron August 1999 Introduction Preface : to the teacher / director An overview.
... directors as well as students are encouraged to wear many hats / masks : author , actor , director , technician , designer , producer , and informed member of the audience . Trust develops when all parties share a wide array of ...
... director / guide / audience I have not included a glossary because each of the terms and definitions is explained within the context of the work . However , for easy reference , there is an Index at the end of 16 Acting Skills for Life.
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11 | |
25 | |
33 | |
43 | |
Voice and the Actor | 71 |
Developing the Actors Voice | 99 |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
475 | |