Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... emotional truth • Emotional release · Chapter 12 : Internal Approaches to Characterization 257 • Getting inside your character's mind through actioning Rediscovering physical and vocal action • Emotions and breath • When to use ...
... emotional barriers that the actor personally has acquired throughout life . Such barriers provide the biggest stumbling blocks to emotional honesty , both in acting and in life . We have all learned to " act " in our daily lives and ...
... Emotional honesty and truth of character are glaringly absent , as the actor safely avoids playing " the sleaze " despite the apparent attempt . You will eventually learn to fully embrace all aspects of a character , finding the rewards ...
... emotions ranging from irritation with the audience to self - pity . There is always a momentary loss of concentration ... emotional elements of the scene . Even during the run of a show , actors will continue to refine moments of their ...
... or mental discomfort , such as dizziness during breathing exercises , sit down where you are and wait for the next exercise . If emotional distress or concentration problems begin to appear , 45 Chapter Three : Relaxing the Actor's Body.
目次
11 | |
25 | |
33 | |
43 | |
71 | |
99 | |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
Bibliography | 475 |