Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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Third Edition Ron Cameron. • General limbering exercises • Advanced torso warm - up exercises • Exercises for evening rehearsals Facial relaxation Chapter 4 : Voice and the Actor 71 • Vocal analysis • Influences on vocal sound • The ...
... exercises . Picture a pinball that represents the current exercise or assignment on which you are working . It spins up the side of the machine , bouncing off obstacles labelled " fear , " " bad mood , " or " peer - group pressure " and ...
... exercise will be only as valid as the least - committed member of the group will allow it to be . One joker can ruin an exercise for several people and any student who cannot enter into the spirit of an exercise should be ...
... exercise is particularly good for people who worry their fingers when they appear in front of an audience or fiddle with costumes during a scene . It can be done as a last - minute reminder by an actor standing in the wings before an ...
... exercise with the other forearm , then with both . Move to the upper arm and follow the same pattern . Then move to the feet , the calves , the thighs , and the buttocks . Next , isolate each part of the torso without allowing tension ...
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11 | |
25 | |
33 | |
43 | |
71 | |
99 | |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
Bibliography | 475 |