Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... mouth . Inhalation may take upward of 20 seconds , while exhalation takes only two or three seconds . Now try the ... mouth . Keep the mouth relaxed and let the sound come out as a sustained " ffffff . " On the next slow collapse , allow ...
... mouth . ( Remember to let the mouth move freely as you massage . ) Finally , complete the action back to the starting point at the hinge of the jaw . Once you have made this circuit , repeat the exercise using as rapid a pit - a - pat ...
... mouth . Every actor must strive for the greatest clarity in articulation and it is for this reason that lip exercises are included in physical warm - ups . Try doing them one after another , three times through . These " fish face ...
... mouth to its natural resting place . Don't let it retreat into your mouth any farther than that . You will discover that the tongue rests much farther forward in the mouth in a relaxed state than in a tense one . The blade of the tongue ...
... mouth under any circumstances . You may also discover that you begin to drool as you are counting , because the regular swallowing action that rids us of excessive saliva is impossible under these circumstances . Keep a tissue available ...
目次
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71 | |
99 | |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
Bibliography | 475 |