Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... movement mind emotions thinking doing Acting and life Whether or not you realize it , you have already acquired a number of acting skills from the time you were a child . You play several roles in different relationships and situations ...
... movement comes from the actor's understanding of the conflict . This applies equally to real - life situations , improvisations , and scripted work . Often the obstacle isn't an external one but rather an internal one : it is part of ...
... movement , but we in the audience won't believe a word . Emotional honesty and truth of character are glaringly absent , as the actor safely avoids playing " the sleaze " despite the apparent attempt . You will eventually learn to fully ...
... movement , it can be adapted to daily life situations . It is a good exercise to practise at different times of the day until you can almost call upon it at will . In such cases , it can be done while seated : in a waiting room when ...
... movement involving all parts of the body . Each sequence should involve every part of the body in random order at one point or another . It involves a lot of free movement , so make sure there is sufficient space between all ...
目次
11 | |
25 | |
33 | |
43 | |
71 | |
99 | |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
Bibliography | 475 |