Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... Six important acting principles • The building - block approach to acting Chapter 3 : Relaxing the Actor's Body 43 • Tension centres • How to avoid tension in performance • General limbering exercises • Advanced torso warm - up.
... relaxed even in the most stressful situations . You will be asked in improvisations , acting exercises and scripts to put yourself into a wide range of characters and situations , often with little preparatory time . Such enriching ...
... not be evident at the time of construction . You just have to trust that eventually your building blocks will create a well - rounded actor . Chapter Three Relaxing the Actor's Body Tension centres T ' 42 Acting Skills for Life.
... “ s ” ( which is called oversibilance . ) This is why actors need to do a warm - up before going on stage . They need to relax their bodies and focus attention on vocal Chapter 3: Relaxing the Actor's Body • Tension centres.
Third Edition Ron Cameron. need to relax their bodies and focus attention on vocal delivery . Sometimes tension is ... relaxed from the first moment . Warm - ups must be an ongoing , disciplined activity for the actor because until we ...
目次
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25 | |
33 | |
43 | |
Voice and the Actor | 71 |
Developing the Actors Voice | 99 |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
475 | |