Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... Rhythm Chapter 16 : Stage Fighting 333 • Safety • Principles of fight choreography • Basic stage stunts Embellishing fight choreography Chapter 17 : Comedy and Style 343 • The theory of visual comedy • Elements of action in visual ...
... rhythm Chapter 20 : Shakespeare and the Actor 405 • Forms of Shakespeare's writing • Forms of dramatic action in Shakespeare's plays • Advice on approaching elaborate speeches • Developing a through - line in verse • Some advice for the ...
... rhythm , and projection of character that is acceptable within our community : in short , all the components of theatre are present . Memory work : one kind of work Yet , when 27 Chapter One : An Introduction to Acting.
... rhythms and degrees of bounce , but make sure your bouncing retains an easy energy . Try it standing , crouching , and then bent over . Try it with one part of the body , then another . First bounce tight and low , then high and free ...
... rhythm of inhalation and exhalation . To start , get rid of as much breath as possible and begin from the flopped - over position . As you rise , try inhaling in one long , slow breath through the nose . When you collapse , allow the ...
目次
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25 | |
33 | |
43 | |
Voice and the Actor | 71 |
Developing the Actors Voice | 99 |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
475 | |