Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... space and the use of levels • Mime • Body language • Text and subtext • The study of 60-30-10 , or Body language 60 , Subtext 30 , Text 10 Chapter 10 : Dramatic Structure and Stage Blocking 209 • Introduction , rising action , climax ...
... space . The student must work hard to undo years of habit and conditioning until other volume levels “ feel right . ” Example 2 : This leads to students who " absolutely never swear . " They will generally pull back from using foul ...
... space in that setting and theatre • ⚫ inherent components of the style of the play · the interdependent roles of everyone involved in mounting the production • theatre etiquette The same principles are found in every type and style 38 ...
... space , can be done individually and can even be done backstage while in costume . They are useful not only before a rehearsal or performance , but also in real life — for example , when you are having trouble getting to sleep before a ...
... space between all participants to prevent one person accidentally hitting another . You may close your eyes on the first step and the last one ; the rest of the time you'll need them open to make sure you don't collide with a neighbour ...
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Voice and the Actor | 71 |
Developing the Actors Voice | 99 |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
475 | |