Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... Speaking Shakespeare • Rhyme and rhythm Chapter 20 : Shakespeare and the Actor 405 • Forms of Shakespeare's writing • Forms of dramatic action in Shakespeare's plays • Advice on approaching elaborate speeches • Developing a through ...
... speak clearly and positively , get an education ! " But now , facing these ideas from another person's perspective and experiencing the opposite viewpoint , you may be more likely to understand and accept the reasoning behind such ...
... speaking even at a “ normal ” level of projection sounds like shouting . Such people feel uncomfortable projecting to a full classroom , and they feel even more inhibited when they are required to fill a theatre space . The student must ...
... speak the lines and walk through the movement , but we in the audience won't believe a word . Emotional honesty and truth of character are glaringly absent , as the actor safely avoids playing " the sleaze " despite the apparent attempt ...
... speak , or who continually clear their throat ? Or the person whose leg constantly jiggles , or whose face freezes in panic , or whose eyes dart all over the place ? Onstage , such physical mannerisms generally work against our intended ...
目次
11 | |
25 | |
33 | |
43 | |
71 | |
99 | |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
Bibliography | 475 |