Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... acting • Style in acting Chapter 18 : Today's Influences on Acting 361 • • The function of songs in plays and musicals Stage versus television : degree of release · Acting for television Chapter 19 : Approaching Shakespeare 377.
Third Edition Ron Cameron. · Acting for television Chapter 19 : Approaching Shakespeare 377 • Shakespeare from the actor's viewpoint • Understanding Shakespeare • Blocking Shakespeare Speaking Shakespeare • Rhyme and rhythm Chapter 20 ...
... television studio at Sheridan , where I have adapted some of my exercises and methodologies . During the years since the first edition of this book was written , Sheridan College has phased in a joint program in Theatre and Drama ...
... television , or for any other stressful situation where you are concerned about appearing visually comfortable . Group exercises : Other exercises require one partner or more . They take a bit longer because everyone has to have a turn ...
... television work demands . Facial relaxation We carry a lot of tension in our faces ; these exercises will help you discover where you retain tension and how to release it . 1. The jaw : The muscles of the jaw often hold a surprising ...
目次
11 | |
25 | |
33 | |
43 | |
71 | |
99 | |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
Bibliography | 475 |