Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... Understanding blocking Blocking and focus · The relationship of listening , reacting , and blocking • Emotional release and blocking • Blocking terminology • The proscenium stage • The thrust stage • Theatre - in - the - round Chapter ...
... Understanding Shakespeare • Blocking Shakespeare Speaking Shakespeare • Rhyme and rhythm Chapter 20 : Shakespeare and the Actor 405 • Forms of Shakespeare's writing • Forms of dramatic action in Shakespeare's plays • Advice on ...
... understanding of self , position in society , and the universality of human experience ( both in time present and time past ) . Whether you are doing creative drama , improvisations , scene study work , or fully mounted productions ...
... understanding of all individuals in the present and in the past . Learning what makes other people tick can provide insight , not only into our own natures but also into the motivations of people whose actions have touched our lives ...
... understanding of ourselves and of others . ― are the sum For after all , if we as individual human beings total of our life's events , we have much to gain by increasing our range of experience . Understanding ourselves may be painful ...
目次
11 | |
25 | |
33 | |
43 | |
Voice and the Actor | 71 |
Developing the Actors Voice | 99 |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
475 | |