Acting Skills for Life: Third EditionDundurn, 1999/09/01 - 380 ページ Of all the subjects taught in the school system, dramatic arts probably has the greatest potential to help students prepare for life. The study of acting helps students develop personal and social skills: increased poise and confidence, better awareness of their physical and vocal selves, and an improved ability to think and react quickly. These talents can help in dealing with sometimes difficult real life situations. The intention of Acting Skills for Life is to integrate personal growth and the process of creative drama with the more formal skills required for stage production. This is a very practical book, full of suggestions for drama exercises and improvisations, developed over Cameron's thirty years of teaching drama, and includes helpful information for teachers working with students on stage productions. |
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... visual comedy • Elements of action in visual comedy • • Acting in comedy and farce Acting in period comedy • Comic “ shtick ” • Cartoon acting • Style in acting Chapter 18 : Today's Influences on Acting 361 • • The function of songs in ...
... visual presentation to their performance work . Teaching is a two - way street and such influences have , in turn , affected the content and style of my teaching . In fact , increasingly I have found myself teaching acting classes in ...
... visual physical slapstick where the play is written with a more gentle and subtle comedy . This type of production has ignored both principles 2 and 3 . However , for virtually every theatrical principle you learn , there is an equally ...
... visually comfortable . Group exercises : Other exercises require one partner or more . They take a bit longer because everyone has to have a turn . A word of caution , however : any group exercise will be only as valid as the least ...
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目次
11 | |
25 | |
33 | |
43 | |
Voice and the Actor | 71 |
Developing the Actors Voice | 99 |
Voice and Text | 119 |
Working with the Five Senses | 145 |
External Approaches to Characterization | 271 |
Psychology and Acting | 287 |
Stimulating New Ideas in Acting | 317 |
Stage Fighting | 333 |
Comedy and Style | 343 |
Todays Influences on Acting | 361 |
Approaching Shakespeare | 377 |
Shakespeare and the Actor | 405 |
The Beginning Ssteps of Acting | 169 |
Acting and Physicality | 185 |
Dramatic Structure and Stage Blocking | 209 |
Getting Into Character | 237 |
Internal Approaches to Characterization | 257 |
How to Help the Actor with Problems in Acting | 427 |
Advice for the Novice Director | 443 |
Advice for Further Studies | 463 |
475 | |