Shakespeare: The Last PhaseHollis & Carter, 1954 - 272 ページ |
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147 ページ
... Perdita's conception of ' art ' as an addition to ' nature ' , and therefore , from the standpoint of her absolute simplicity , as a deformation of it , Polixenes opposes another of ' art ' as completing ' nature ' , based on it ...
... Perdita's conception of ' art ' as an addition to ' nature ' , and therefore , from the standpoint of her absolute simplicity , as a deformation of it , Polixenes opposes another of ' art ' as completing ' nature ' , based on it ...
150 ページ
... PERDITA : FLORIZEL : O , these I lack , To make you garlands of ; and my sweet friend , To strew him o'er and o'er . What , like a corse ? PERDITA : No , like a bank for love to lie and play on ; Not like a corse ; or if , not to be ...
... PERDITA : FLORIZEL : O , these I lack , To make you garlands of ; and my sweet friend , To strew him o'er and o'er . What , like a corse ? PERDITA : No , like a bank for love to lie and play on ; Not like a corse ; or if , not to be ...
152 ページ
... Perdita in the expression of her love , has been gathered up into the wider symbolic framework of penitence and reconciliation the full scope of The Winter's Tale will be finally clear . The following exchanges , leading up to the ...
... Perdita in the expression of her love , has been gathered up into the wider symbolic framework of penitence and reconciliation the full scope of The Winter's Tale will be finally clear . The following exchanges , leading up to the ...
多く使われている語句
action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast conventional course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words