Shakespeare: The Last PhaseHollis & Carter, 1954 - 272 ページ |
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... already ( Iv . ii ) described before Lucio his vision of the Roman eagle vanishing in the ' sunbeams ' of the West , and it is not perhaps altogether fanciful to connect the repetition of the image with the characteristic sense of rich ...
... already ( Iv . ii ) described before Lucio his vision of the Roman eagle vanishing in the ' sunbeams ' of the West , and it is not perhaps altogether fanciful to connect the repetition of the image with the characteristic sense of rich ...
94 ページ
... already serves to connect this utterance with the Soothsayer's vision ( Iv . ii ) and the final unravelling of the action . That this is mature Shakespearean verse , and that it belongs to the symbolic conception of the play , is not ...
... already serves to connect this utterance with the Soothsayer's vision ( Iv . ii ) and the final unravelling of the action . That this is mature Shakespearean verse , and that it belongs to the symbolic conception of the play , is not ...
137 ページ
... already looks forward to the future . The last - mentioned idea , indeed , is also in the mind of Polixenes , and already associated with the idea of reconcilia- tion ; though his thoughts at this stage still turn mainly on the loss of ...
... already looks forward to the future . The last - mentioned idea , indeed , is also in the mind of Polixenes , and already associated with the idea of reconcilia- tion ; though his thoughts at this stage still turn mainly on the loss of ...
多く使われている語句
action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast conventional course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words