Shakespeare: The Last PhaseHollis & Carter, 1954 - 272 ページ |
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... effect , is , stylistically speaking , one of Shake- speare's major triumphs in his late plays . First fully achieved , perhaps , in Antony and Cleopatra , it is now being turned to a deliberately symbolic effect . The general ...
... effect , is , stylistically speaking , one of Shake- speare's major triumphs in his late plays . First fully achieved , perhaps , in Antony and Cleopatra , it is now being turned to a deliberately symbolic effect . The general ...
96 ページ
... effect , a feeling akin to religious conviction , which naturally accompanies the new and distinctively moral out- look which characterizes his utterances throughout this part of the play : ' there none want eyes to direct them the way ...
... effect , a feeling akin to religious conviction , which naturally accompanies the new and distinctively moral out- look which characterizes his utterances throughout this part of the play : ' there none want eyes to direct them the way ...
185 ページ
... effect of harmony , returns by way of contrast to the unassimilated simplicities of life . In this way , the effect of excessive simplification is once more avoided , and common vitality given a place of its own in the complete pattern ...
... effect of harmony , returns by way of contrast to the unassimilated simplicities of life . In this way , the effect of excessive simplification is once more avoided , and common vitality given a place of its own in the complete pattern ...
多く使われている語句
action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast conventional course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words