Shakespeare: The Last PhaseHollis & Carter, 1954 - 272 ページ |
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... tion , the first stage in the play's development will be com- pleted . Once more , the circumstances of Imogen's betrayal are surrounded , in the telling , with a quality of sensual artifice which links them with Iachimo's particular ...
... tion , the first stage in the play's development will be com- pleted . Once more , the circumstances of Imogen's betrayal are surrounded , in the telling , with a quality of sensual artifice which links them with Iachimo's particular ...
166 ページ
... tion of his courtiers . The play at this point , as always , aims at a development , not a contrast ; the past is not forgotten , but taken up , assumed into the present , transformed by a healing action of ' grace ' which only the ...
... tion of his courtiers . The play at this point , as always , aims at a development , not a contrast ; the past is not forgotten , but taken up , assumed into the present , transformed by a healing action of ' grace ' which only the ...
202 ページ
... tion of both is , at bottom , similar . Both begin by dedicating themselves to an ideal of purely personal perfection , and both in so doing neglect not only the social duties of their position , but also an instrument , when properly ...
... tion of both is , at bottom , similar . Both begin by dedicating themselves to an ideal of purely personal perfection , and both in so doing neglect not only the social duties of their position , but also an instrument , when properly ...
多く使われている語句
action Alonso already Antonio Antony and Cleopatra appearance Ariel associated Autolycus balanced behaviour birth blood Caliban Camillo civilized Cloten complete conceived conception contrast conventional course courtly Cymbeline Cymbeline's daughter death deliberately dramatic dream effect emotion episode evil evocation experience expression external fact father feeling Ferdinand final reconciliation Florizel Gonzalo grace Guiderius harmony Hermione Hermione's human Iachimo Iago imagery Imogen implied indicated innocence intense island judgement king King Lear last plays Lear Leontes less Macbeth Marina maturity Measure for Measure Miranda moral nature once Othello passage passion past pastoral Paulina Perdita Pericles phrase plot poetic poetry Polixenes Posthumus prelude present Prospero purpose reality recalls reference reflects reply restored scene Sebastian sense Shakespeare's simplicity sorrow speech spirit stage stresses Sycorax symbolic Tempest Thaisa thee theme thou tion tragedy tragic true turn unity verse virtues whole Winter's Tale words