Angel in the Sun: Turner's Vision of HistoryMcGill-Queen's Press - MQUP, 1999/03/10 - 280 ページ Turner was deeply affected by the world in which he lived, the sciences that explained it, and the conflicts and accomplishments of his society. He wove these strands into the dense fabric of the historical pictures he created, pictures that were extremely varied, complex, original, and controversial. In Angel in the Sun Gerald Finley untangles the various thematic strands running through Turner's art, including the intersection of private and public histories, classical and biblical history and contemporary events, and science and religion, and shows how Turner's use of light and colour played an important role in conveying these ideas. Angel in the Sun includes over 130 illustrations in colour and black and white that reveal Turner's remarkable achievement as a painter of historical subjects. Because of its interdisciplinary nature, the book will appeal not only to art historians and landscape theorists but also to historians of science and literature. |
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... 81 49 Pope's Villa at Twickenham 85 50 Near the Thames ' Lock , Windsor 86 51 London 87 52 England : Richmond Hill , on the Prince Regent's Birthday 89 53 Jean Baptiste Claude Chatelain , Richmond Ferry As It FIGURES.
... 81 49 Pope's Villa at Twickenham 85 50 Near the Thames ' Lock , Windsor 86 51 London 87 52 England : Richmond Hill , on the Prince Regent's Birthday 89 53 Jean Baptiste Claude Chatelain , Richmond Ferry As It FIGURES.
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... England and Germany ( Rodopi ) . The ma- terial of this article also provided the basis for a substantial part of a second , more detailed study published in 1997 in the Zeitschrift fur Kunstgeschichte entitled " The Deluge Pictures ...
... England and Germany ( Rodopi ) . The ma- terial of this article also provided the basis for a substantial part of a second , more detailed study published in 1997 in the Zeitschrift fur Kunstgeschichte entitled " The Deluge Pictures ...
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... England : 11 ; Derby Mu- seum and Art Gallery : 76 ; Collection of the Duke of Northumberland , photograph Courtauld Institute of Art : 8 ; Glasgow Museums , Art Gallery & Museum , Kelvingrove : 22 ; Ironbridge Gorge Museum Trust ...
... England : 11 ; Derby Mu- seum and Art Gallery : 76 ; Collection of the Duke of Northumberland , photograph Courtauld Institute of Art : 8 ; Glasgow Museums , Art Gallery & Museum , Kelvingrove : 22 ; Ironbridge Gorge Museum Trust ...
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目次
A Brief Introduction | 3 |
2 The Louvre and the Royal Academy Lectures | 6 |
3 Greece and Italy | 19 |
4 The Dynamics of Myth and Legend | 46 |
5 Rural Retreats | 83 |
Commemorating the Past and Present | 94 |
7 Let my words Out live the maker | 114 |
Bane or Benefit? | 129 |
Fall to Apocalypse | 174 |
Theory and Practice | 187 |
Shade and Darkness and Light and Colour the Late Deluge Pictures | 200 |
EPILOGUE | 209 |
Daniel Wilson and Regulus | 211 |
NOTES | 215 |
238 | |
245 | |
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Aeneis allude allusion ancient appears artist associated believed BL Add blue British Butlin and Joll Carthage Carthaginian Empire chap Claude Clore Gallery Colour in Turner composition considered Dawn of Christianity Deluge pictures depicts Dido and Aeneas discussed effects engraving exhibited Fighting Temeraire figures Finley Gage geology Goethe Goethe's Theory Greek Hesperides historical landscapes history painting Ibid ideas illustrations interest Italy J.M.W. Turner Lake Avernus lectures Light and Colour Loggie London Masaniello Medea metaphor Napoleon nature noted observed painter pictorial picture's poem poet poetic lines poetry Polyphemus present Raphael reference Regulus relationship remarkable Reynolds Richmond Hill Rome Royal Academy Scott Shade and Darkness significant sketch Steam sublime suggested symbol theme Theory of Colours Thornbury tion ture Turner Collection BJ Turner's painting Turner's picture Ulysses Deriding Polyphemus Vatican Venice watercolour Watteau Watteau Study yellow