A History of Literary Criticism in the Renaissance: With Special Reference to the Influence of Italy in the Formation and Development of Modern ClassicismColumbia University Press, 1899 - 330 ページ |
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according action æsthetic ancient Aris Aristotelian Aristotelian canons Aristotle Aristotle's Poetics Art Poét Art Poétique Arte Poetica Ascham attempt authority beauty Bellay Bellay's Ben Jonson Boileau Castelvetro character classical metres comedy conception Daniello Defence of Poesy Défense delight doctrine drama element epic poetry expression form of poetry formulated Fracastoro France French criticism French poetry Giraldi Cintio Greek Haslewood Homer Horace human humanists Ibid ideal imitation influence Italian criticism Italian Renaissance Italy Jonson language Latin Laudun laws literary criticism Maggi mediæval medieval merely Middle Ages Minturno modern moral Muzio nature Orlando Furioso pagan perfect period Petrarch philosophy pity and fear Platonic Pléiade poem poet poet's Poeta poetic art precepts published reason regarded Renaissance criticism rhetorical Robortelli romantic romanzi Ronsard rules Scaliger Sidney sixteenth century Tasso theory of poetry things three unities tion tragedy tragic treatise Trissino unity Varchi Vauquelin verse versification Vida Virgil virtue writers
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105 ページ - Be not too tame neither, but let your own discretion be your tutor ; suit the action to the word, the word to the action; with this special observance: that you o'erstep not the modesty of nature ; for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as 'twere, the mirror up to nature ; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
80 ページ - OF THAT SORT OF DRAMATIC POEM WHICH IS CALLED TRAGEDY. TRAGEDT, as it was anciently composed, hath been ever held the gravest, moralest, and most profitable of all other poems : therefore said by Aristotle to be of power, by raising pity and fear, or terror, to purge the mind of those and such like passions ; that is, to temper and reduce them to just measure with a kind of delight, stirred up by reading or seeing those passions well imitated.
88 ページ - As when some one peculiar quality Doth so possess a man, that it doth draw All his affects, his spirits, and his powers, In their confluctions, all to run one way, This may be truly said to be a humour.
285 ページ - But deeds, and language, such as men do use, And persons, such as comedy would choose, When she would show an image of the times, And sport with human follies, not with crimes.
28 ページ - It is, moreover, evident from what has been said, that it is not the function of the poet to relate what has happened, but what may happen, — what is possible according to the law of probability or necessity.
80 ページ - ... to temper and reduce them to just measure with a kind of delight, stirred up by reading or seeing those passions well imitated. Nor is nature wanting in her own effects to make good his assertion; for so in physic, things of melancholic hue and quality are used against melancholy, sour against sour, salt to remove salt humours.
28 ページ - The poet and the historian differ not by writing in verse or in prose. The work of Herodotus might be put into verse, and it would still be a species of history, with metre no less than without it. The true difference is that one relates what has happened, the other what may happen.
89 ページ - Unity of plot does not, as some persons think, consist in the unity of the hero. For infinitely various are the incidents in one man's life, which cannot be reduced to unity, and so, too, there are many actions of one man out of which we cannot make one action.
13 ページ - Painting at the end of the Middle Ages and the beginning of the Renaissance.
273 ページ - And therefore it was ever thought to have some participation of divineness, because it doth raise and erect the mind, by submitting the shows of things to the desires of the mind ; whereas reason doth buckle and bow the mind unto the nature of things.