Milton, Spenser, and the Epic TraditionScolar Press, 1996 - 201 ページ A study of the epic genre and its evolution from Homer to Milton, arguing that there is room in the epic world for open-endedness and indecision. Discusses six works, including the Iliad, the Odyssey, the Faerie Queen, and Paradise Lost, identifying core generic elements, particularly the employment of the imperial citadel as sacred center, and analyzes the ways in which the works draw upon earlier models and reflect social changes. Distribted by Ashgate. Annotation copyright by Book News, Inc., Portland, OR |
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Achilles action Adam Adam's Aeneas Aeneid Agamemnon allegorical allusion angels Aquinas Ariosto armour Arthur aspect association axis axis mundi Book Britomart Cacus canto causal centre Christian chronotopic citadel Cleopolis combat continues contrast cosmic descending direction discourse discussion divine epic epic tradition epic's episode Errour Eve's example Faerie Queene fallen genre Geryon God's Greek Guyon heart heaven heavenly Hector hell Herculean Hercules hero hero's heroic Holiness Homer horizontal human Iliad imagery imitates imperial intuitive irony knight labour Legend literal logical Milton moral motion narrative Odysseus omphalic opposition Orlando Furioso Orthrus Paradise Lost paradox passage Patroclus poem poem's poet poet's pondering Priam Protestant Pyrrhus quest readers Redcrosse Redcrosse's Renaissance represent reversal romance Ruggiero sacred Salutati Satan scene sense simile spatial Spenser suggests suppliant supplication temporal term threshold tion translation Trojans Troy turn Turnus unity Vergil Vergilian Vernant vertical classification vision walls wandering whole Zeus