The American Elocutionist: Comprising 'Lessons in Enunciation', 'Exercises in Elocution', and 'Rudiments of GestureJenks, Palmer, and Company, 1851 - 380 ページ |
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3 ページ
... Movement of the Feet . 206 91 Errors . 207 • 92 Rule . 93 • Position and Movement of the . 208 · 95 98 Limbs . Errors . Rule . • 210 211 • 100 Position and Movement of the Trunk . . 212 . 212 102 Errors . Rule . .213 - 113 . 118 ...
... Movement of the Feet . 206 91 Errors . 207 • 92 Rule . 93 • Position and Movement of the . 208 · 95 98 Limbs . Errors . Rule . • 210 211 • 100 Position and Movement of the Trunk . . 212 . 212 102 Errors . Rule . .213 - 113 . 118 ...
4 ページ
... Movement of the Arm . 222 Lines to the Clock at Hampton Court . G. P. R. James . 306 Unsuccessful Attempt to ' Raise Errors . 223 the Wind . ' Rules . .232 Niagara Falls . South Carolina . New England . PIECES FOR PRACTICE Noon .. In ...
... Movement of the Arm . 222 Lines to the Clock at Hampton Court . G. P. R. James . 306 Unsuccessful Attempt to ' Raise Errors . 223 the Wind . ' Rules . .232 Niagara Falls . South Carolina . New England . PIECES FOR PRACTICE Noon .. In ...
6 ページ
... movement , ' or the rate of utterance , as fast or slow . Cadence , or the appropriate modulation of the voice , at the close of a sentence , would , at first sight , appear to be but a mechanical modification of voice , or 6 PREFACE .
... movement , ' or the rate of utterance , as fast or slow . Cadence , or the appropriate modulation of the voice , at the close of a sentence , would , at first sight , appear to be but a mechanical modification of voice , or 6 PREFACE .
59 ページ
... movement of the mind's attention , with an unmeaning and disa- greeable prolongation of sound , which takes away the spirit and the significance of speech . The degree of slowness required for an accurate and distinct enun- ciation , is ...
... movement of the mind's attention , with an unmeaning and disa- greeable prolongation of sound , which takes away the spirit and the significance of speech . The degree of slowness required for an accurate and distinct enun- ciation , is ...
60 ページ
... movements of the organs of speech . A correct articulation , however , is not la- boured and artificial in its character . It results from the intuitive and habitual action of a disciplined at- tention . It is easy , fluent , and ...
... movements of the organs of speech . A correct articulation , however , is not la- boured and artificial in its character . It results from the intuitive and habitual action of a disciplined at- tention . It is easy , fluent , and ...
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多く使われている語句
accent action appropriate arising articulation attention avoided beauty becomes body called cause character close commencing common correct course deep distinct effect elocution emotion emphasis error example EXERCISE expression falling fault feeling feet foot force former gesture give habit hand head heard heart human inflection king language less letter liberty light living look lord manner marked meaning mind moderate movement natural never night o'er object observed occur pass passage pause piece pitch poetry position practice preceding present produce pronounced prose reading regard requires rising rule sense sentence sentiment short slow sometimes sound speaker speaking speech spirit style succession syllables thing thou thought tion tone true turn utterance verse voice whole
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77 ページ - HIGH on a throne of royal state, which far Outshone the wealth of Ormus and of Ind, Or where the gorgeous East with richest hand Showers on her kings barbaric pearl and gold...
182 ページ - Now came still evening on, and twilight gray Had in her sober livery all things clad ; Silence accompanied ; for beast and bird, They to their grassy couch, these to their nests, Were slunk, all but the wakeful nightingale, She all night long her amorous descant sung...
104 ページ - I conjure you, by that which you profess, (Howe'er you come to know it,) answer me : Though you untie the winds, and let them fight Against the churches ; though the yesty waves Confound and swallow navigation up; Though bladed corn be lodg'd, and trees blown down; Though castles topple on their warders...
178 ページ - These are thy glorious works, Parent of good, Almighty, thine this universal frame, Thus wondrous fair; thyself how wondrous then ! Unspeakable, who sitt'st above these heavens, To us invisible, or dimly seen In these thy lowest works; yet these declare Thy goodness beyond thought, and power divine.
108 ページ - And this is in the night. — Most glorious night ! Thou wert not sent for slumber ! let me be A sharer in thy fierce and far delight, — A portion of the tempest and of thee ! How the lit lake shines a phosphoric sea, And the big rain comes dancing to the earth ! And now again 'tis black, — and now the glee Of the loud hills shakes with its mountain-mirth, As if they did rejoice o'er a young earthquake's birth.
72 ページ - To hear the lark begin his flight, And singing startle the dull Night, From his watch-tower in the skies, Till the dappled Dawn doth rise...
95 ページ - And Abel, he also brought of the firstlings of his flock and of the fat thereof. And the Lord had respect unto Abel and to his offering : but unto Cain and to his offering he had not respect.
102 ページ - Tis morn, but scarce yon level sun Can pierce the war-clouds, rolling dun, Where furious Frank and fiery Hun Shout in their sulphurous canopy. The combat deepens. On, ye brave, Who rush to glory, or the grave ! Wave, Munich ! all thy banners wave, And charge with all thy chivalry.
154 ページ - Wha will be a traitor knave ? Wha can fill a coward's grave ? Wha sae base as be a Slave ? Let him turn and flee ! Wha for Scotland's King and Law, Freedom's sword will strongly draw ; Free-man stand, or Free-man fa', Let him on wi
70 ページ - Echo still through all her song : And, where her sweetest theme she chose, A soft responsive voice was heard at every close ; And HOPE, enchanted, smiled, and waved her golden hair.