Words and Music in the Middle Ages: Song, Narrative, Dance and Drama, 1050-1350

前表紙
CUP Archive, 1986/10/16 - 576 ページ
This book examines the relation of words and music in England and France during the three centuries following the Norman Conquest. The basic material of the study includes the chansons of the troubadours and trouvères and the varied Latin songs of the period. In addition to these 'lyric' forms, the author discusses the relations of music and poetry in dance-song, in narrative and in the ecclesiastical drama. Professor Stevens examines the ready-made, often unconscious, and misleading assumptions we bring to the study and performance of early music. In particular he affirms the importance of Number, in more than one sense, as a clue to the 'aesthetic' of the greater part of repertoire, to the relation of words and melody. and to the baffling problem of their rhythmic interpretation. This is the first wide-ranging study of words and music in this period in any language. It will be essential reading for scholars of the music and the literature of medieval Europe and will provide a basic and comprehensive introduction to the repertoire for students.
 

目次

List of abbreviations
2
The courtly chanson
13
conductus and cantio
48
The sequence
80
Lai and planctus
110
The dancesong
159
epic and chanson de geste
199
Saints Life and liturgical narrative
235
the problem of expressiveness
372
The theorists
413
Palaeography notation and presentation
435
Rhythm and genre
460
a balanced relationship
492
Glossary
505
List of sources
512
Bibliography
523

Gregorian chant
268
liturgy ceremony and play
308
music action and emotion
348

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