A Critical History of English PoetryA&C Black, 2014/01/13 - 612 ページ This famous work was the result of the wartime collaboration of two Scottish scholars. Their tracing of the course of English poetry has been described by The Times Literary Supplement as a 'volume of masterly compression'. They deliberately spend most time on the greatest poets, believing that, significant as traditions and influences are, the great poet himself affects the spirit of his age and moulds the tradition he has inherited. At the same time, enough attention is paid to minor poets to make the book historically complete, and to fill in the most important links in the chain of poetic development. Thus Gower is here, as well as Chaucer; Patmore, as well as Browning. Both in scope and in detail A Critical History of English Poetry is a distinguished and valuable work. |
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... comedy begins to appear , and personifications begin to be mingled with and gradually replaced by types or individual characters . Our earliest Interlude is Henry Medwall's Fulgens and Lucres ( c.1494 ) , in substance a débat on true ...
... comedy begins to appear , and personifications begin to be mingled with and gradually replaced by types or individual characters . Our earliest Interlude is Henry Medwall's Fulgens and Lucres ( c.1494 ) , in substance a débat on true ...
67 ページ
... comedy , and other fields . True , his Notes of Instruction are rudimentary ; his Steel Glass is dim - blank verse is not the medium for satire ; and his Supposes is only a translation from Ariosto . Gascoigne was too unstable to excel ...
... comedy , and other fields . True , his Notes of Instruction are rudimentary ; his Steel Glass is dim - blank verse is not the medium for satire ; and his Supposes is only a translation from Ariosto . Gascoigne was too unstable to excel ...
100 ページ
... comedy in English in manner of an Interlude ' , and was in fact a kind of tragi - comedy cut down from a long Spanish play ; but it stands alone , and is too slight and moralistic to rob Ralph Roister Doister ( c.1553 ) of the glory it ...
... comedy in English in manner of an Interlude ' , and was in fact a kind of tragi - comedy cut down from a long Spanish play ; but it stands alone , and is too slight and moralistic to rob Ralph Roister Doister ( c.1553 ) of the glory it ...
101 ページ
... Comedy did . It was 1562 before Sackville and Norton produced in Gorboduc the first English tragedy . Unhappily they modelled it on the so - called Seneca , whose declamatory Latin had debased the great Greek exemplars to horrible ...
... Comedy did . It was 1562 before Sackville and Norton produced in Gorboduc the first English tragedy . Unhappily they modelled it on the so - called Seneca , whose declamatory Latin had debased the great Greek exemplars to horrible ...
102 ページ
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目次
23 Blake | 279 |
Early Poems and Lyrical Ballads | 292 |
Later Poems | 302 |
26 Scott | 314 |
27 Byron | 324 |
28 Shelley | 333 |
29 Keats | 352 |
30 Landor to Tennyson | 368 |
80 | |
90 | |
100 | |
11 Shakespeare | 107 |
12 Shakespeares Contemporaries and Successors in Drama | 127 |
13 The Carolines | 142 |
14 Milton | 154 |
15 Cowley to Dryden | 167 |
16 The Age of Pope and other Augustans | 185 |
17 Thomson to Cowper | 204 |
18 Cowper | 222 |
19 Crabbe | 236 |
20 The Revival of Scottish Poetry | 252 |
21 Burns | 257 |
22 The Revolutionary Age | 274 |
Tennyson | 381 |
Robert Browning | 390 |
Mrs Browning and Others | 402 |
Arnold Clough and Kingsley | 413 |
The PreRaphaelite Group | 420 |
Patmore Thomson and Other Minors | 430 |
Meredith and Hardy | 437 |
38 The Nineties | 444 |
The PreWar Years 190114 | 462 |
The War Years 191418 | 470 |
Between the Wars 191939 | 475 |
A Select Bibliography | 493 |
Index | 507 |
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A. C. Swinburne A. H. Bullen allegory ballads beauty Blake blank verse Burns Byron called century character charm Chaucer Christian Coleridge comedy Cowper Crabbe critics death delight diction Donne drama dream Dryden E. K. Chambers early Elizabethan England English poetry epic eyes Faerie Queene feeling French Greek heart Heaven human humour hymns imagination inspired interest John Johnson Keats King Lady language later lines living lover Lyrical Ballads metre Milton mind mood moral Nature never night odes Oxford Paradise Paradise Lost passion pastoral Petrarch plays poems poet poet's poetic political Pope Pope's prose Queen religious rhyme romance satire scene Scots Scott Scottish sense Shakespeare Shelley Shelley's songs sonnets soul Spenser spirit stanza story style Swinburne Tennyson thee theme things Thomas thou thought tion tragedy translation truth vols words Wordsworth write written wrote