Gender and Authorship in the Sidney CircleUniversity of Wisconsin Press, 1990 - 297 ページ This study demonstrates the extent to which reading and writing were gendered acts in 16th- and early 17th-century England. Renaissance gender ideology did not prevent women from writing altogether, but it affected all writing by creating different standards of acceptability for female writers than for their male counterparts. Lamb explores the effect of this gendered ideology of authors in a famous Renaissance family - the Sidneys: Sir Philip Sidney, his sister, the Countess of Pembroke, and his niece, Mary Wroth, two notable and productive women authors of the time. |
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... aggression signified by Pembrokiana's shooting the bear in the first place . The prologue of the play , in which Cupid enters disguised as a shepherd , provides a context for understanding the bear whelp passage as in some sense about ...
... aggression signified by Pembrokiana's shooting the bear in the first place . The prologue of the play , in which Cupid enters disguised as a shepherd , provides a context for understanding the bear whelp passage as in some sense about ...
92 ページ
... aggressive female sexuality shapes several of the narratives and poems by women in the New Arcadia . The danger posed by narratives told by women is contained in var- ious ways , one of which is the restriction of audience to members of ...
... aggressive female sexuality shapes several of the narratives and poems by women in the New Arcadia . The danger posed by narratives told by women is contained in var- ious ways , one of which is the restriction of audience to members of ...
93 ページ
... aggression by placing her in a submissive position to a man . Dido is not so fortunate , and the text censures her aggressive ten- dencies in various ways . Her story , reported by Pyrocles / Zelmane , also provides a needed explanation ...
... aggression by placing her in a submissive position to a man . Dido is not so fortunate , and the text censures her aggressive ten- dencies in various ways . Her story , reported by Pyrocles / Zelmane , also provides a needed explanation ...
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Abraham Fraunce Amphilanthus anger Antissia apparently Astrophel beloved Ben Jonson Breton's characters Cleopatra compassion constant heroine Countess of Montgomery's countess of Pembroke courtly created cultural death dedication desire discourse of gender discussed dying Elizabeth English fair ladies Fraunce Fraunce's gender difference grief heroics of constancy holograph poems husband inscribed Ivychurch Lady Mary Wroth literary London lover male manuscript Mary Sidney Mary Wroth masculine Moffett Montgomery's Urania moriendi Mornay's Musidorus narrative narrator Nicholas Breton nightingale Old Arcadia Pamela Pamphilia passion patronage Pembroke's Arcadia Pembrokiana Penbrooke Penelope Devereux perhaps Philoclea Philomela poet poetry Press princesses protagonists provides Pyrocles queen reading Renaissance Renaissance women representation represents reveals Robert role sexual Sidney's silence silkworms Sir Philip Sidney sister song sonnet Spenser Stoic Stoicism story suggests tion translation Univ Urania verse version of authorship woman women readers women writers women's authorship women's speech words writing Wroth's romance