Gender and Authorship in the Sidney CircleUniversity of Wisconsin Press, 1990 - 297 ページ This study demonstrates the extent to which reading and writing were gendered acts in 16th- and early 17th-century England. Renaissance gender ideology did not prevent women from writing altogether, but it affected all writing by creating different standards of acceptability for female writers than for their male counterparts. Lamb explores the effect of this gendered ideology of authors in a famous Renaissance family - the Sidneys: Sir Philip Sidney, his sister, the Countess of Pembroke, and his niece, Mary Wroth, two notable and productive women authors of the time. |
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... behavior , including those organized by gender ideology , enforce absolute conformity or even obtain universal assent . Thus , the mere existence of writings , and even published writings , by women who were , in theory , prohibited ...
... behavior , including those organized by gender ideology , enforce absolute conformity or even obtain universal assent . Thus , the mere existence of writings , and even published writings , by women who were , in theory , prohibited ...
126 ページ
... behavior that was hoped for from women . It heroized the enforced nonparticipation of ordinary women ( as opposed to queens ) in the public arena ; for one who understands the transitory nature of worldly events , detachment from the ...
... behavior that was hoped for from women . It heroized the enforced nonparticipation of ordinary women ( as opposed to queens ) in the public arena ; for one who understands the transitory nature of worldly events , detachment from the ...
191 ページ
... behavior of its readers . As a member of the same culture that formed her book , Pamphilia is forced to experience within her own life the plot of the very text she had rejected . Melissea's masque - which in form and content is not ...
... behavior of its readers . As a member of the same culture that formed her book , Pamphilia is forced to experience within her own life the plot of the very text she had rejected . Melissea's masque - which in form and content is not ...
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Abraham Fraunce Amphilanthus anger Antissia apparently Astrophel beloved Ben Jonson Breton's characters Cleopatra compassion constant heroine Countess of Montgomery's countess of Pembroke courtly created cultural death dedication desire discourse of gender discussed dying Elizabeth English fair ladies Fraunce Fraunce's gender difference grief heroics of constancy holograph poems husband inscribed Ivychurch Lady Mary Wroth literary London lover male manuscript Mary Sidney Mary Wroth masculine Moffett Montgomery's Urania moriendi Mornay's Musidorus narrative narrator Nicholas Breton nightingale Old Arcadia Pamela Pamphilia passion patronage Pembroke's Arcadia Pembrokiana Penbrooke Penelope Devereux perhaps Philoclea Philomela poet poetry Press princesses protagonists provides Pyrocles queen reading Renaissance Renaissance women representation represents reveals Robert role sexual Sidney's silence silkworms Sir Philip Sidney sister song sonnet Spenser Stoic Stoicism story suggests tion translation Univ Urania verse version of authorship woman women readers women writers women's authorship women's speech words writing Wroth's romance