Gender and Authorship in the Sidney CircleUniversity of Wisconsin Press, 1990 - 297 ページ This study demonstrates the extent to which reading and writing were gendered acts in 16th- and early 17th-century England. Renaissance gender ideology did not prevent women from writing altogether, but it affected all writing by creating different standards of acceptability for female writers than for their male counterparts. Lamb explores the effect of this gendered ideology of authors in a famous Renaissance family - the Sidneys: Sir Philip Sidney, his sister, the Countess of Pembroke, and his niece, Mary Wroth, two notable and productive women authors of the time. |
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85 ページ
... disguise to be privy to this discourse . While this crossing of gender roles was not uncommon for women readers of texts addressed to males , the phe- nomenon was perhaps less usual for males , whose access to texts ad- dressed to women ...
... disguise to be privy to this discourse . While this crossing of gender roles was not uncommon for women readers of texts addressed to males , the phe- nomenon was perhaps less usual for males , whose access to texts ad- dressed to women ...
92 ページ
... disguised as shepherdesses offer to per- form eclogues , disaster results . Secluded in their rustic retreat , Pamela , Philoclea , and the disguised Pyrocles are approached by six maids . Explaining that they were " stirred with ...
... disguised as shepherdesses offer to per- form eclogues , disaster results . Secluded in their rustic retreat , Pamela , Philoclea , and the disguised Pyrocles are approached by six maids . Explaining that they were " stirred with ...
232 ページ
... disguised greatnesse in ” ( RR4v ) . In this building , they imagine that they see their loves . Various women disguise themselves and go to the Theater , as it is called , but the doors do not open to them . The doors of the Theater do ...
... disguised greatnesse in ” ( RR4v ) . In this building , they imagine that they see their loves . Various women disguise themselves and go to the Theater , as it is called , but the doors do not open to them . The doors of the Theater do ...
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Abraham Fraunce Amphilanthus anger Antissia apparently Astrophel beloved Ben Jonson Breton's characters Cleopatra compassion constant heroine Countess of Montgomery's countess of Pembroke courtly created cultural death dedication desire discourse of gender discussed dying Elizabeth English fair ladies Fraunce Fraunce's gender difference grief heroics of constancy holograph poems husband inscribed Ivychurch Lady Mary Wroth literary London lover male manuscript Mary Sidney Mary Wroth masculine Moffett Montgomery's Urania moriendi Mornay's Musidorus narrative narrator Nicholas Breton nightingale Old Arcadia Pamela Pamphilia passion patronage Pembroke's Arcadia Pembrokiana Penbrooke Penelope Devereux perhaps Philoclea Philomela poet poetry Press princesses protagonists provides Pyrocles queen reading Renaissance Renaissance women representation represents reveals Robert role sexual Sidney's silence silkworms Sir Philip Sidney sister song sonnet Spenser Stoic Stoicism story suggests tion translation Univ Urania verse version of authorship woman women readers women writers women's authorship women's speech words writing Wroth's romance