Mr. Matthew Arnold as Critic and Poet: (Read Before the Liverpool Philomathic Society, 30th January, 1878).Marples, 1879 - 29 ページ |
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16 ページ
... thought or mood of the author . But it is noticeable that , although Mr. Arnold is so great a master of satire in prose , he never employs it in verse ; he has not attempted a single satiric poem , and his verse is even more deficient ...
... thought or mood of the author . But it is noticeable that , although Mr. Arnold is so great a master of satire in prose , he never employs it in verse ; he has not attempted a single satiric poem , and his verse is even more deficient ...
19 ページ
... moods of thought or feeling . Mr. Arnold is more successful in his narrative poems , the finest of which are " Sohrab and Rustum " and " Tristram and Iseult . " The one is a beautifully - told episode in one of the Tartar invasions of ...
... moods of thought or feeling . Mr. Arnold is more successful in his narrative poems , the finest of which are " Sohrab and Rustum " and " Tristram and Iseult . " The one is a beautifully - told episode in one of the Tartar invasions of ...
23 ページ
... moods of thought and feeling which are characteristically modern , by the problems , the questionings , the complexities , the con- flict of ideas , of civilised Europe in the nineteenth century . In this department it seems to me that ...
... moods of thought and feeling which are characteristically modern , by the problems , the questionings , the complexities , the con- flict of ideas , of civilised Europe in the nineteenth century . In this department it seems to me that ...
25 ページ
... mood of thought which produces it . It is no doubt dangerous to seek for a poet's personal experiences in his works , but one cannot help feeling ( and Mr. Arnold's marked want of dramatic power confirms the view ) that the conflict is ...
... mood of thought which produces it . It is no doubt dangerous to seek for a poet's personal experiences in his works , but one cannot help feeling ( and Mr. Arnold's marked want of dramatic power confirms the view ) that the conflict is ...
29 ページ
... moods of thought and feeling which Mr. Arnold has pourtrayed ; one must read his poems as a whole in order to understand the wide range of his sympathetic insight . As in his criticism , so in his poetry , he can appreciate the strength ...
... moods of thought and feeling which Mr. Arnold has pourtrayed ; one must read his poems as a whole in order to understand the wide range of his sympathetic insight . As in his criticism , so in his poetry , he can appreciate the strength ...
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多く使われている語句
Arnold's creative Arnold's criticism Arnold's poems Arnold's prose writings Arnold's verse attracted Bishop Wilson Celt Celt's Celtic Literature chiefly Children of men classic Clough conflict controversial CRITIC AND POET deficient depict disinterested doubt dramatic power emotions Empedocles English Essay on Maurice Essays in Criticism feel their strength Friendship's Garland genius give Goethe Greek hath Heinrich Heine help feeling ideas influence inspired conviction interest interpreting Nature interprets by expressing literary living Lord Macaulay Machiavelli many-sided intellectual sympathies material civilisation MATTHEW ARNOLD Maurice de Guérin means Mediæval Merope metre moods of thought moral and spiritual musical poet natural magic Obermann once opinion perhaps poem called Poetry interprets political religion religious Sainte-Beuve satire says Scholar-Gipsy Sénancour sensuous effect sensuousness sentiment shew Sohrab and Rustum Spinoza spirit Stanzas in memory Study of Celtic subjects Swinburne Switzerland Tennyson thought and feeling thoughtful poems Tristram and Iseult Wordsworth
人気のある引用
19 ページ - Who fluctuate idly without term or scope, Of whom each strives, nor knows for what he strives, And each half lives a hundred different lives; Who wait like thee, but not, like thee in hope. Thou waitest for the spark from Heaven...
26 ページ - A bolt is shot back somewhere in our breast, And a lost pulse of feeling stirs again. The eye sinks inward, and the heart lies plain, And what we mean, we say, and what we would, we know.
29 ページ - But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world.
13 ページ - The grand power of poetry is its interpretative power ; by which I mean, not a power of drawing out in black and white an explanation of the mystery of the universe, but the power of so dealing with things as to awaken in us a wonderfully full, new, and intimate sense of them, and of our relations with them.
13 ページ - When this sense is awakened in us, as to objects without us, we feel ourselves to be in contact with the essential nature of those objects, to be no longer bewildered and oppressed by them, but to have their secret, and to be in harmony with them ; and this feeling calms and satisfies us as no other can.
14 ページ - I have said that poetry interprets in two ways; it interprets by expressing with magical felicity the physiognomy and movement of the outward world, and it interprets by expressing, with inspired conviction, the ideas and laws of the inward world of man's in.] MAURICE DB GU&UN. Ill moral and spiritual nature.
16 ページ - If his rebellion against fact has thus lamed the Celt even in spiritual work, how much more must it have lamed him in the world of business and politics! The skilful and resolute appliance of means to ends which is needed both to make progress in material civilisation, and also to form powerful states, is just what the Celt has least turn for.
28 ページ - The glow, he cries, the thrill of life, Where, where do these abound? — Not in the world, not in the strife Of men, shall they be found. He who hath watch'd, not shared, the strife, Knows how the day hath gone. He only lives with the world's life, Who hath renounced his own.
29 ページ - Achilles ponders in his tent, The kings of modern thought are dumb; Silent they are, though not content, And wait to see the future come. They have the grief men had of yore, But they contend and cry no more.