Ottaviano Petrucci: A Catalogue Raisonné
Oxford University Press, 2005/11/24 - 1296 ページ
The innovative work in design, typography, and content of music printer and publisher Ottaviano Petrucci (1446-1539) became the standard by which all following printers measured themselves. He created the defining moment when Italy took the lead in book printing in the Renaissance. This book is a bibliographic study of the output of the Petrucci presses, laying emphasis on the professional career of Petrucci. It includes a detailed study of technique and house-style, examining the market forces that drove Petrucci's publishing decisions, and provides a detailed catalogue of editions and copies. Stanley Boorman has made a study of the output of Petrucci's presses for 25 years. This long-awaited contribution to the field of bibliography will have an audience both in music and in rare book bibliography.
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CONCORDANCE AND DOCUMENTS
A-Wn Agnus Agricola Altus Bassus Anon Antico appear Bibliography book of Lamentations Boorman Bossinensis brown ink Brumel cancel Canti Castellanus chapter Colo´n colophon Corona Corrections and changes Credo D-Mbs discussed earlier erased erasure evidence Exemplum Extant copies flyleaf foliation folios font Format and collation forme Fossombrone Francesco Spinacino Frottole Fugger gathering GB-Lbl Ghiselin Glorial Headed I-Bc I-Rvat I-Vnm ideal copy impression In-house corrections initial Intabulation Italian Josquin Josquin’s masses later leger line letters Libro ligature manuscript maria Missa Missarum Misse motets Motetti Mouton music printing music type notes Obrecht Odhecaton paper part-names partbooks Pasoti paste-down pattern Paulus perhaps Petrucci Petrucci’s editions pieces polyphony printers privilege probably published Recercar recto repertoire RISM Roman Rome Rotonda Sanctus Sartori Scotto second edition seems sheet Signatures spacing sort stamped staves suggest Superius surviving tail Tavola Technical comments Tenor Textual comments Venetian Venice Vernarecci volumes Watermarks