Centring the Self: Subjectivity, Society, and Reading from Thomas Gray to Thomas HardyScolar Press, 1995 - 273 ページ These essays focus primarily on the theme of selfhood and subjective experience in the poetry of the British Romantic period, and in the later poetry and novels that were its legacy. There are chapters on Gray, Cowper, Wordsworth, Coleridge, Keats, Shelley, Byron, Hardy and George Eliot - writers who, though often having a strong interest in public affairs, all turned inwards to make trial of imagination and the individual life as sources of order and value against a background of cultural unsettlement. The book moves from the emergence of post-Enlightenment psychological man to the proto-modernist preoccupation with the self as construct in Byron and Hardy. |
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... course to the knowing surrealist enclave of David Gascoyne's ' The Very Image ' , where the creator , his left hand in a bucket , joins his creations as the quaint object of his own quizzical regard : 53 And all these images and many ...
... course to the knowing surrealist enclave of David Gascoyne's ' The Very Image ' , where the creator , his left hand in a bucket , joins his creations as the quaint object of his own quizzical regard : 53 And all these images and many ...
82 ページ
... course and a disregard for the purposes of Providence . Bunyan's rejec- tion of Christ , a serious failure of both faith and understanding , results in a total collapse of perspective and self - confidence , while Christian , presuming ...
... course and a disregard for the purposes of Providence . Bunyan's rejec- tion of Christ , a serious failure of both faith and understanding , results in a total collapse of perspective and self - confidence , while Christian , presuming ...
218 ページ
... course ) Hardy takes from inflicting pains upon and grieving for the lives he invents . Before leaving Sue for the moment , let us recall a further , different example of the way the theme of making is locked into Hardy's concep- tion ...
... course ) Hardy takes from inflicting pains upon and grieving for the lives he invents . Before leaving Sue for the moment , let us recall a further , different example of the way the theme of making is locked into Hardy's concep- tion ...
目次
William Cowper and the Condition of England | 19 |
Cowpers The Castaway | 33 |
Wordsworth Bunyan and the Puritan Mind | 69 |
著作権 | |
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多く使われている語句
actual apparent beauty becomes brings Byron calls Canto Castaway Chapter Childe Harold claims close comes condition course Cowper creative Critical dark death desire despair divine dream edition effect English eternal event example existence experience expression fact faith fear feeling figure final force give grace Gray hand heart hope human hymns idea ideal imagination individual interest interpretation John Jude Julian and Maddalo Keats Keats's language least less Letters light limits lines living London meaning mind nature never objects once Oxford past poem poet poet's poetic poetry political present Prose Puritan question reader reading reference relation remains represents response Romantic seems sense Shelley Shelley's soul spirit stands stanza suffering suggests takes talk things thou thought true truth turn universe vision whole Wordsworth