Prefaces and Prologues to Famous Books: With Introductions, Notes and IllustrationsP.F. Collier & Son, 1910 - 462 ページ Each of the prefaces and prologues in this volume is a complete work of literature unto itself, offering a unique insight to the thoughts of its author. |
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197 ページ
... drama and a drama is a dream ' ; and who declares with a tone of defiance , that no man can fail to derive moan from póvos , monos , single or solitary , who considers that grief naturally loves to be alone . Our knowledge of the ...
... drama and a drama is a dream ' ; and who declares with a tone of defiance , that no man can fail to derive moan from póvos , monos , single or solitary , who considers that grief naturally loves to be alone . Our knowledge of the ...
224 ページ
... drama may convey all the instruction of tragedy or comedy cannot be denied , because it includes both in its alterations of exhibition and approaches nearer than either to the appearance of life , by shewing how great machina- tions and ...
... drama may convey all the instruction of tragedy or comedy cannot be denied , because it includes both in its alterations of exhibition and approaches nearer than either to the appearance of life , by shewing how great machina- tions and ...
225 ページ
... drama , Shake- speare's mode of composition is the same ; an interchange of seriousness and merriment , by which the mind is softened at one time , and exhilarated at another . But whatever be his purpose , whether to gladden or depress ...
... drama , Shake- speare's mode of composition is the same ; an interchange of seriousness and merriment , by which the mind is softened at one time , and exhilarated at another . But whatever be his purpose , whether to gladden or depress ...
231 ページ
... drama credible . The criticks hold it impossible , that an action of months or years can be possibly believed to pass in three hours ; or that the spectator can suppose himself to sit in the theatre , while ambassadors go and return ...
... drama credible . The criticks hold it impossible , that an action of months or years can be possibly believed to pass in three hours ; or that the spectator can suppose himself to sit in the theatre , while ambassadors go and return ...
233 ページ
... drama moves , if it is not credited . It is credited with all the credit due to a drama . It is credited , whenever it moves , as a just picture of a real original ; as representing to the auditor what he would him- self feel , if he ...
... drama moves , if it is not credited . It is credited with all the credit due to a drama . It is credited , whenever it moves , as a just picture of a real original ; as representing to the auditor what he would him- self feel , if he ...
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多く使われている語句
ancient Aristotle beauty book treateth Carloman cause character Charles the Bald Charles the Simple Chaucer Christ Christian Church containeth death divers divine doctrine doth drama earth effect English epic eternal Faery Queene faith father feelings follow French genius Geoffrey Chaucer give glory hand hath Holy honor hope human ignorance imagination infinite JOHN CALVIN judgment King King Arthur kingdom knowledge labour Lactantius language laws Le Cid learned less living Lord Lothair matter ment metre mind modern Molière nation nature never noble observation opinion Ovid passions persons philosophy pleasure poem poet poetry preface present princes prose Queen reader reason religion saith sciences sense Shakespeare Sir Kay sometimes soul spirit therein things thought tion tragedy translated true truth unto verse Virgil virtue whole William Caxton wise words write
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258 ページ - I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him; no man can say he ever had a fit subject for his wit, and did not then raise himself as high above the rest of poets *Quantum lenta solent inter viburna cupressi.
258 ページ - All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards and found her there.
213 ページ - When, upon some slight encouragement, I first visited your lordship, I was overpowered, like the rest of mankind, by the enchantment...
224 ページ - ... he carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate; for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
217 ページ - It was observed of the ancient schools of declamation, that the more diligently they were frequented, the more was the student disqualified for the world, because he found nothing there which he should ever meet in any other place. The same remark may be applied to every stage but that of Shakespeare.
174 ページ - But enough of this : there is such a variety of game springing up before me, that I am distracted in my choice, and know not which to follow. Tis sufficient to say, according to the proverb, that here is God's plenty.
286 ページ - It may be safely affirmed that there neither is, nor can be, any essential difference between the language of prose and metrical composition.
318 ページ - She is the fairies' midwife, and she comes In shape no bigger than an agate-stone On the forefinger of an alderman, Drawn with a team of little atomies Athwart men's noses as they lie asleep : Her waggon-spokes made of long spinners...
279 ページ - It was published, as an experiment, which, I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.
216 ページ - Nothing can please many, and please long, but just representations of general nature. Particular manners can be known to few, and therefore few only can judge how nearly they are copied. The irregular combinations of fanciful invention may delight awhile, by that novelty of which the common satiety of life sends us all in quest ; but the pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth.