The laird o' Cockpen he's proud and he's great, His mind is ta'en up wi' the things o' the state: He wanted a wife his braw house to keep, But fav-our wi' wooin' was fash-ious to seek. Doun by the dyke-side a lady did dwell, His wig was weel pouther'd, as guid as when new, And when she cam ben, he boued fu' low; HE'S OWER THE HILLS THAT I LO'E WEEL. :: Moderato. He's ower the hills that I lo'e weel, He's ower the hills we daur na name, He's ower the hills a Fine. yont Dumblane, Wha soon will get his wel-come hame. My father's gane to fight for him, My brithers :8: win-na bide at hame, My mither greets and prays for them, And 'deed she thinks they're no to blame. THE MINSTREL TO HIS HARP. The Poetry by Wilmington Fleming.-Arranged expressly for this Work to an Air by Auber. Moderato. Friend of my soul ! when all has fled My bo- som glow'd to own, Like friendship's voice in foreign clime, I hear thy thrill-ing tone;-Life's fairy dreams-youth's hopes have pass'd, And man-hood's trance of fame; Methinks I am old, for my blood runs cold, Yet thou art still the same! Me thinks I am old, for my blood runs cold, Yet thou art still the same. The gay fond voices, that in youth To transport woke the mind, Are hush'd in icy death's embrace, So strangely turn'd unkind; Amid the world I wander lone, A sad and cheerless thing; But my heart can bound to the thrilling sound, When fancy wakes thy string. Friend of my soul! why dost thou cling So fondly in my woe As when, in youth's gay wantoning, The worldly prudent answer make, And blame with scorn's deep wrong That thy harp might wake, thou didst all forsake, For poverty and song. And did I thus,-could prophet old The heaven-sent mission spurn? When rapture fires the young fond heart, Can it refuse to burn? Let apathy the minstrel blame, The prudent error see; But through sorrow's night, with a proud delight, I'll sing, lov'd harp, to thee! Vivace. WHAT CAN THE MATTER BE. At six-teen years old you could get lit-tle good of me: Then I saw Norah, who soon un-der stood of me, I was in love-but my-self, for the blood of me, Could not tell what I did ail! 'Twas dear, dear, what can the mat-ter be? Och, blood and 'ounds! what can the matter be? Och, gra-ma-chree! what can the matter be? Bo-ther'd from head to the tail. I went to confess to Father O' Flannigan, 'Dear, dear!' says he, 'what can the matter be? Soon I fell sick-I did bellow and curse again; Well she knew what I did ail. But Dear,dear!' says she, 'what can the matter be? 'Tis long ago now since I left Tipperary; All symptoms are gone of my ancient quandary; But, dear, dear! what can the matter be? FATHER, I CALL ON THEE. The German Prayer during Battle.-The Poem translated from Korner's Leyer und Schwerdt.'- [me! O Father, lead thou me ! Lord, I acknowledge thee! When the breeze through the dry leaves of autumn When the thunder-storm of battle is groaning,- O Father, bless thou me! I trust in thy mercy, whate'er may befall me : www Father, lead thou me! MY PHILOSOPHY. Poetry by John Jarvis.—Arranged expressly for this Work, to an Air by Mozart. Allegro Moderato. Ambition is just like a kite, Which boys for amusement oft swing,They first let it soar a great height, And then pull it down-with a string: Then let us be humble and tame, Nor with the ambitious be found,To-day in the phaeton of fame, And to-morrow thrown flat on the ground. As for me, I shall never comply With the terras of ambition at all, So, if I ne'er rise very high, I shall have no great distance to fall: Let him who despises my rule Soar after a fanciful crown ;Before he can grasp it-poor fool! I shall see him come hopelessly down. And his vanity's all at an end. I'll be in my station content, A very bad poet-and poor: If they'll let me alone while I live, |