The True and the Beautiful in Nature, Art, Morals, and ReligionJ. Wiley, 1867 - 452 ページ |
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xxviii ページ
... necessary to give more definite and justifiable association to other scenes which chiefly interested me , such as the ruins of Lochleven and Kenilworth ; and thus my pleasure in moun- tains or ruins was never , even in earliest ...
... necessary to give more definite and justifiable association to other scenes which chiefly interested me , such as the ruins of Lochleven and Kenilworth ; and thus my pleasure in moun- tains or ruins was never , even in earliest ...
17 ページ
... necessary to guard the reader with respect to sym- metry , is the confounding it with proportion , though it seems strange that the two terms could ever have been used as synonymous . Symmetry is the opposition of equal quantities to ...
... necessary to guard the reader with respect to sym- metry , is the confounding it with proportion , though it seems strange that the two terms could ever have been used as synonymous . Symmetry is the opposition of equal quantities to ...
18 ページ
... necessary to the dignity of every form , and that by the removal of it we shall render the other elements of beauty comparatively ineffectual : though , on the other hand , it is to be observed that it is rather a mode of arrangement of ...
... necessary to the dignity of every form , and that by the removal of it we shall render the other elements of beauty comparatively ineffectual : though , on the other hand , it is to be observed that it is rather a mode of arrangement of ...
24 ページ
... necessary the entire perfection of the Christian character , for he who loves not God , nor his brother , cannot love the grass beneath his feet and the creatures that fill those spaces in the universe which he needs not , and which ...
... necessary the entire perfection of the Christian character , for he who loves not God , nor his brother , cannot love the grass beneath his feet and the creatures that fill those spaces in the universe which he needs not , and which ...
34 ページ
... necessary to request the reader's most careful attention to the following positions . Any work of art which represents , not a material object , but the mental conception of a material object , is in the primary sense of the word ideal ...
... necessary to request the reader's most careful attention to the following positions . Any work of art which represents , not a material object , but the mental conception of a material object , is in the primary sense of the word ideal ...
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appearance architecture artist beauty believe blue book of Job boughs castle of Chillon character chiaroscuro Christ chrysoprase clouds color creatures Dante dark deep delight Divine earth effect evil expression feeling foam give glory God's Gothic Gothic architecture grass hand heart heaven hills human idea ideal imagination instance intellect invention John Ruskin kind landscape less light lines look lower marble marble church Masaccio mean mind mist modern mountain nature ness never noble object observe painter painting passing passion pathetic fallacy Paul Veronese peculiar perfect picture pleasure poetry present pure purity purple racter reader rock Scott sculpture seems seen sense sentimental literature shadow snow spirit stone Stones of Venice strange strength sublime suppose taste things thought tion Titian trees true truth vapor Venice waves whole wind words
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43 ページ - Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith that all which we behold Is...
388 ページ - My brethren have dealt deceitfully as a brook, and as the stream of brooks they pass away; Which are blackish by reason of the ice, and wherein the snow is hid: What time they wax warm, they vanish: when it is hot, they are consumed out of their place.
25 ページ - That which doth assign unto each thing the kind, that which doth moderate the force and power, that which doth appoint the form and measure, of working, the same we term a law.
441 ページ - She riseth also while it is yet night and giveth meat to her household, and a portion to her maidens.
377 ページ - There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, " She is near, she is near ; " And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers,
12 ページ - Heaven lies about us in our infancy ! Shades of the prison-house begin to close Upon the growing Boy, But He beholds the light, and whence it flows, He sees it in his joy ; The Youth, who daily farther from the East Must travel, still is Nature's Priest, And by the vision splendid Is on his way attended; At length the Man perceives it die away, And fade into the light of common day.
115 ページ - In these two princely boys! They are as gentle As zephyrs, blowing below the violet, Not wagging his sweet head: and yet as rough, Their royal blood enchafd, as the rud'st wind, That by the top doth take the mountain pine, And make him stoop to the vale.
415 ページ - LET the day perish wherein I was born, and the night in which it was said, " There is a man child conceived.
47 ページ - All has passed, unregretted as unseen; or if the apathy be ever shaken off, even for an instant, it is only by what is gross, or what is extraordinary ; and yet it is not in the broad and fierce manifestations of the elemental energies, not in the clash of the hail, nor the drift of the whirlwind, that the highest characters of the sublime are developed. God is not in the earthquake, nor in the fire ; but in the still, small voice.
146 ページ - Therefore, when we build, let us think that we build forever. Let it not be for present delight, nor for present use alone ; let it be such work as our descendants will thank us for, and let us think, as we lay stone on stone, that a time is to come when those stones will be held sacred because our hands have touched them, and that men will say as they look upon the labor and wrought substance of them, ' ' See, this our fathers did for us.