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APPENDICES.

APPENDIX I.

SOME ILLUSTRATIVE WORK OF ISAAC ROBERT CRUIKSHANK.

Coloured frontispiece to the "Age of Intellect; or, Clerical Show Folk and Wonderful Lay Folk," by Francis Moore, Physician. 1819.

"Lessons of Thrift, published for the general benefit, by a Member of the Save-all Club," eleven coloured full-page etchings.

1820.

"The Total Eclipse, a Grand Politico-Astronomical Phenomenon.” (Dolby, Strand.) 1820.

"A Peep at the P. C. N.; or, Boiled Mutton with Caper Sauce at the Temple of Joss." (Effingham Wilson.) 1820.

"The Men in the Moon; or, the Devil to Pay." (Dean & Munday.) 1820.

[With his brother George.] Designs to Nightingale's "Memoirs of Queen Caroline." (J. Robins.) 1820.

"Radical Chiefs." One caricature illustration. 1821.

"The Royal Game of Chess" 1821.

"The Political All-my-knack for the Year of our Lord 1821."

"The Queen and Magna Charta ; or, the Thing that John Signed." (Dolby, Strand.)

1821.

"Tales of the Cordelier Metamorphosed." 1821.

[With his brother George.] "Life in London."

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"The Commercial Tourist; or, Gentleman Traveller." (A satirical

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"Mock Heroicks; or, Snuff, Tobacco, and Gin, and a Rapsody on an Inkstand." Four caricature engravings.

1822.

"Annals of Sporting and Fancy Gazette." (Numerous coloured plates.) 1822-1825.

[With C. Williams.]

Frontispiece to George Ramsey's "New Dictionary of Anecdote." 1822.

"My Cousin in the Army; or, Johnny Newcome on the Peace Establishment." Many coloured plates. 1822.

Twenty designs on wood for Charles Westmacott's "Points of Misery." 1823.

A series of drawings on wood to the "Spirit of the Public Journals for 1823 and 1824." (A selection of essays, jeux d'esprit, tales of humour, etc., 2 vols.)

"Life and Exploits of Don Quixote." Twenty-four designs on wood. (Knight & Lacey.) 1824.

Bernard Blackmantle's (Charles Westmacott) "English Spy." 1825.

"Spirit of the Public Journals for 1825."

Charles Westmacott's "Punster's Pocket-book; or, the Art of Punning Enlarged." 1826.

[With his brother George.]

"London Characters." (Twenty-four

plates, of which nine only are by Robert. Robins. 1827.

[With George.] Designs on wood for the "Fairy Tales" of Albert Ludwigg Grimm.

1827.

J. Thompson's "New Life of J. Allen." 1828.

Smeeton's "Doings in London." 1828.

"British Dance of Death" (allegorical coloured frontispiece). 1828.

"Spirit of the Age" Newspaper (vignette). 1828.

[With his brother.] The designs on wood for the "Universal Songster; or, Museum of Mirth." (3 vols.) 1828.

"London Oddities; or, Theatrical Cabinet, and Tit-bits of Humour and Eccentricity." 1828.

"The Finish to the Adventures of Tom, Jerry, and Logic." 1828.

The following between 1830 and 1832.

"Cruikshank's Comic Album" (sometimes called

"Facetiæ "),

being a series of little books published by Kidd, Miller, and others, afterwards collected into 3 vols.

APPENDICES.

"Walks about Town by an Antiquated Trio," three designs.

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"The Condition of the West Indian Slave contrasted with that of the Infant Slave in our English Factories."

"Cruikshank and the New Police, showing the great Utility of that Military Body."

"Cruikshank versus Witchcraft"; "Mary Ogilvie"; "Wee Watty." "Robert Cruikshank versus Sir Andrew Agnew."

W. S. Moncrieff's "March of Intellect," six designs. [With Kenny Meadows.] "The Devil in London." "A Slap at the Times."

Illustrations to Foote's "Tailors," and "Mayor of Garratt"; O'Hara's "Midas"; "The Beggars' Opera"; "Katherine and

Petruchio," and others.

The following between 1831 and 1836.

Design on wood for " Figaro in London."

[With Seymour and others.] Illustrations to a periodical called "The Thief."

Twenty illustrations to W. R. Macdonald's "Comic Alphabet." (A rival to George Cruikshank's work of the same title.)

Eighty-five designs on wood to Crithannah's "Original Fables." Six designs on wood for "Readings from Dean Swift His Tale of a Tub, with Variorum Notes, and a Supplement for the use of the Nineteenth Century," by Quintus Flestrin Grildrig.

Johann Abricht's "Divine Emblems." And [with his brother] illustrations to J. Thomas's "Burlesque Drama." 1838.

[With Seymour.] The series known as "Cruikshank at Home,” and "The Odd Volume."

The following in 1839-1840.

Ten vignettes to "The Lady and the Saints." Twelve designs on wood to "Colburn's Kalendar of Amusements in Town and Country." "Cozi Toobad." [With W. Lee.] Twenty-three steel plates and designs on wood for "Jem Blunt," by Barker (author of the celebrated "Greenwich Hospital").

1842 and 1844.

[With John Leech.] "Merrie England in the Olden Time," by George Daniel. (Since rep. by Warne & Co.) Three illustrations

to "James Hatfield and the Beauty of Buttermere." [With R. W. Buss and T. Wageman.] "Cumberland's British and Minor Theatre." Fourteen etchings to Abraham Elder's "Tales and Legends of the Isle of Wight." Nine aqua-tinta plates to Hugo Playfair's "Brother Jonathan, the Smartest Nation in all Creation."

From 1845 to 1849.

"Sketches of Pumps Handled by Robert Cruikshank." Twentyfour etchings to "The Orphan; or, Memoirs of Matilda" (a translation of Sue's "Mathilde"). Forty etchings to "The Bertaudiere" (Chronicles of the Bastile).

And the following.

Francis L. Clarke's "Life of Wellington." Kentish's "Hudibrastic History of Lord Amherst's Visit to China." "The London Directory and London Ambulator." "Golden Key of the Treasures of Knowledge." "The Little World of Great and Good Things." E. Thomson's "Adventures of a Carpet." "Raphael's Witch; or, Oracle of the Future" (ten coloured designs). "The London Stage" (a collection of about 180 plays, with a cut to each play; 4 vols.). Portrait of Mr. Oxberry as "Humphrey Gull" in the "Dwarf of Naples,"

etc., etc.

APPENDIX II.

SOME MISCELLANEOUS WORk of robert seymMOUR

EXECUTED BETWEEN 1822 AND 1836.

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"Views from the Poets." "The Devil on Two Sticks" "Ovid." "Demosthenes." Views of Newstead Abbey, Margate, Dover, etc. Designs for "Benevolence, Friendship, and Death." Quarrels of the Poets." "Anatomical Theatre." "Vanities of the Human Race." "The Happy Family." "The Gin-shop." "The Sleepwalker." "The Sluggard." "Don Juan." "The Economist." "The Chemist." "The March of Intellect." "The Great Joss and his Playthings." "The R-1 Speech." The Works of Wordsworth, Southey, Gay, and other poets. Robinson's "History and Antiquities of Enfield." Shakspeare's "Seven Ages." Hogarth's "Apprentices," and "Rake's Progress." "Uncle Timothy." Views of London. Sporting Almanacks. "Percy Anecdotes." "Book of Martyrs." "Portraits of Public Characters." "Death in London." "Spectre Bride." "Midnight Embrace." "The Red King." "The Ghost with ye Golden Casket." "The Devil's Ladder." "Assisting, Resisting, and Desisting."

Contributions to "Friendship's Offering." 1824-36. "Seymour's Comic Annual: a Perennial of Fun."

Miss Louisa Sheridan's "Comic Offering." 1831-1835.

"The National Omnibus," a journal of literature, etc. (designs on wood, with Cruikshank), 1831-1832; "The Comic Magazine," 1832-1834; Richardson's "Minor Drama," 1827-1830; Piers Shafton Granton's "Vagaries in Quest of the Wild and Wonderful"; "Mrs. Greece and her Rough Lovers" [Russia and Turkey] (McLean), 1828; "How to Spell Harrowgate" (C. King), 1828; "Going by Steam" (G. King); "The Political Bellman"; A Musical Genius" (G. Creed); "A Man of Taste and Feeling" (G. Creed).

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