Traces of theriomorphic and aniconic art very faint, earliest agalmata no
resemblance to a 'corn-fetich,' 214-216; Kore arising from earth on coin
of Lampsakos, consecration of corn on Apulian vase, 216-217; emblems
of Demeter in earliest art, 217-219; sacrificial and other animals
associated with her, 219-221; monuments of Demeter and Persephone
with chthonian significance, Anodos of Kore, association with chthonian
Dionysos and with Plouton, 221-228; emblems of life and death blended in
art, Cyzicene coin alluding to Thesmophoria, 228-230; Demeter Kouro-
trophos and Thesmophoros, 231-232; coin-illustration of her political
character somewhat scanty, 232-234; monuments illustrating the
mysteries, 234-258; Thesmophoria, 234-235; Attic-Eleusinian monu-
ments, vase of Hieron, 236; marble-relief from tomb of gens Statilia
with initiation of Heracles and Katharsis,' 237-240; vase showing scene
of sacrament, 240-241; pinax of Nannion with repxvopopia does not
prove presence of Dionysos in lesser mysteries, 241-245; pelike in
St. Petersburg and Pourtales vase, 245–249; hydria from Cumae, 249–251;
vases supposed to illustrate the mystic drama, a theory very improbable
a priori, Tyskiewickz vase, 251-252; vases supposed to show a mystic
birth of holy infant, interpretation very doubtful, 253-257; Greek art
not likely to reveal the Eleusinian secret, but bears witness to the
elevating and refining character of the faith, 257-258.