Lectures on Poetry and General Literature: Delivered at the Royal Institution in 1830 and 1831Longman, Rees, Orme, Browne, Green, & Longman, 1833 - 394 ページ |
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... fancy or deep feeling . There are seven pages of the same kind in the context , which rather resemble an inventory of ideas and metaphors , than a select and well - harmonised array of such as would best impress the mind , and affect ...
... fancy or deep feeling . There are seven pages of the same kind in the context , which rather resemble an inventory of ideas and metaphors , than a select and well - harmonised array of such as would best impress the mind , and affect ...
110 ページ
... fancy . It is due to Spenser to give the model of this exquisite but intricate stanza , from his own great work , and I take the first that occurs in the " Faerie Queene . " " Lo , I the man , whose Muse whilome did maske , As time her ...
... fancy . It is due to Spenser to give the model of this exquisite but intricate stanza , from his own great work , and I take the first that occurs in the " Faerie Queene . " " Lo , I the man , whose Muse whilome did maske , As time her ...
129 ページ
... fancy by pathos and imagery , — then , like the historian , the novelist , or the logician , leave the memory of the reader to retain , as it may , an abstract of the whole that has been communicated : -no ; but it is the poet's purpose ...
... fancy by pathos and imagery , — then , like the historian , the novelist , or the logician , leave the memory of the reader to retain , as it may , an abstract of the whole that has been communicated : -no ; but it is the poet's purpose ...
144 ページ
... truth . Endued with a fancy peculiarly formed for picture - poetry , he has limited verse almost within the compass of designing and modelling with visible colours and palpable sub- stances . 144 .NO . IV . THE DICTION OF POETRY .
... truth . Endued with a fancy peculiarly formed for picture - poetry , he has limited verse almost within the compass of designing and modelling with visible colours and palpable sub- stances . 144 .NO . IV . THE DICTION OF POETRY .
150 ページ
... fancy , it was to produce harmony otherwise unattainable , and to give others , less adven- turous than he , scope as well as courage to follow him into the heights and depths of our noble language , which has never yet , perhaps , been ...
... fancy , it was to produce harmony otherwise unattainable , and to give others , less adven- turous than he , scope as well as courage to follow him into the heights and depths of our noble language , which has never yet , perhaps , been ...
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admiration Æneid affections amidst ancient beauty blank verse cadence character circumstances colour composition contemporaries death delight diction Dryden earth Egyptians eloquence employed English equally excellence exquisite Faerie Queene fancy feel genius glory Greece Greek hand harmony heart heaven Henry Kirke White hieroglyphics Homer honour human ideas Iliad images imagination invention Joanna Baillie kind labours Lamech language latter learning less lines literature living Lord Lord Byron ment metre Milton mind modern moral nations nature never once original painting Paradise Lost passage passions peculiar perfect perpetual Pisistratus pleonasm poem poet poetical poetry present prose reader rhyme Robert Burns ROBERT SOUTHEY Roman Saracens scarcely scene sculpture sentiments song soul sound Spenserian stanza spirit splendour stanzas stars strains style sublime syllables taste thee theme things thou thought tion tongue truth uttered verse Virgil whole words writing