A Handbook of Oral ReadingHoughton Mifflin, 1917 - 353 ページ The aim of this handbook is to present the principles of natural expressive reading aloud. |
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124 ページ
... interest on the part of the speaker , or fail- ure to discriminate between ideas and to respond to their meaning and spirit . Or , to state the matter in a positive way , significant variety in the use of vocal energy is evi- dence of ...
... interest on the part of the speaker , or fail- ure to discriminate between ideas and to respond to their meaning and spirit . Or , to state the matter in a positive way , significant variety in the use of vocal energy is evi- dence of ...
125 ページ
... interest , zeal , enthusiasm , and his self - control . This aspect of vocal expression is influenced to such an extent by shades of thought and meaning , by kinds and degrees of feeling , by the temperament and speech - habits of the ...
... interest , zeal , enthusiasm , and his self - control . This aspect of vocal expression is influenced to such an extent by shades of thought and meaning , by kinds and degrees of feeling , by the temperament and speech - habits of the ...
130 ページ
... interest only , there is no excuse for careless , blurred , mumbled , jumbled , or monotonous reading , which taxes the listener and renders listening difficult . Anything that is worth reading at all is at least worth reading ...
... interest only , there is no excuse for careless , blurred , mumbled , jumbled , or monotonous reading , which taxes the listener and renders listening difficult . Anything that is worth reading at all is at least worth reading ...
131 ページ
... speaker's relation to the thought , that is , his interest in and responsiveness to it , his motive in speaking , and his attitude toward those addressed , as well as the circumstances under which he speaks , determine how VOCAL ENERGY 131.
... speaker's relation to the thought , that is , his interest in and responsiveness to it , his motive in speaking , and his attitude toward those addressed , as well as the circumstances under which he speaks , determine how VOCAL ENERGY 131.
169 ページ
... interest . Cursèd bé If I forgive him ! tribe Shakespeare : Merchant of Venice , 1 , iii . 2. Line length . a . As it is essential that the rhythm of metrical beats should be observed in reading poetry , it is likewise important that ...
... interest . Cursèd bé If I forgive him ! tribe Shakespeare : Merchant of Venice , 1 , iii . 2. Line length . a . As it is essential that the rhythm of metrical beats should be observed in reading poetry , it is likewise important that ...
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多く使われている語句
accented action Assignment Baltus Van Tassel beauty breath change of pitch Chapter Christmas Christmas Carol clear conversation cried dark emotional emphasis expression eyes feeling Fezziwig give hand hath hear heard heart heaven Ichabod Ichabod Crane illustrations imagination inflection Jacob Marley Julius Cæsar kind permission King Lady Macbeth light lines listener literature live look Lord Macbeth meaning melody Merchant of Venice metrical mind nature never night Nolan oral pause phrase poem poetry practice Prepare problems prose reader reading aloud Reading of problems Recitation rhythm round sail Scrooge section 28 sense sentence Shakespeare sight reading Sir Anth sleep Sleepy Hollow soul sound speak speaker speech spirit spoken strong student syllables talk teacher Tennyson thee things thou thought tion tone tongue utterance vocal energy vocal exercises vocal force voice vowels William Herbert Carruth words