A Handbook of Oral ReadingHoughton Mifflin, 1917 - 353 ページ The aim of this handbook is to present the principles of natural expressive reading aloud. |
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37 ページ
... person . Walk- ing - on a country road or anywhere in the " open " - was irksome to him . He had a shambling - loose - jointed gait - that of the bear ; his short legs - bowed out - as not unlike - if they had been more— - in the habit ...
... person . Walk- ing - on a country road or anywhere in the " open " - was irksome to him . He had a shambling - loose - jointed gait - that of the bear ; his short legs - bowed out - as not unlike - if they had been more— - in the habit ...
41 ページ
... person who might be within hearing , the clearest possible notion of the catastrophe , ran off across the coun- try at his topmost speed , screaming " Fire ! " with all his might . It was at this moment , when old Wardle and Sam Wel ...
... person who might be within hearing , the clearest possible notion of the catastrophe , ran off across the coun- try at his topmost speed , screaming " Fire ! " with all his might . It was at this moment , when old Wardle and Sam Wel ...
60 ページ
... mind towards truth or towards persons . They are sometimes necessary , but should be rare in dignified discourse . ( S. S. Curry : Foundations of Expression , p . 56. ) 15. Monotony The most common fault in reading aloud and 60 ORAL ...
... mind towards truth or towards persons . They are sometimes necessary , but should be rare in dignified discourse . ( S. S. Curry : Foundations of Expression , p . 56. ) 15. Monotony The most common fault in reading aloud and 60 ORAL ...
87 ページ
... persons who speak or read with evident under- standing and with well placed emphasis , are , nevertheless , tedious to listen to , because of the habitual use of but one or two forms of emphasis to the exclusion of all others . It may ...
... persons who speak or read with evident under- standing and with well placed emphasis , are , nevertheless , tedious to listen to , because of the habitual use of but one or two forms of emphasis to the exclusion of all others . It may ...
91 ページ
... radical qualities as honour and humour and pathos , than to have a lively and not a stolid counte- nance ; to have looks to correspond with every feeling ; to be 21 . elegant and delightful in person , so that EMPHASIS 91.
... radical qualities as honour and humour and pathos , than to have a lively and not a stolid counte- nance ; to have looks to correspond with every feeling ; to be 21 . elegant and delightful in person , so that EMPHASIS 91.
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accented action Assignment Baltus Van Tassel beauty breath change of pitch Chapter Christmas Christmas Carol clear conversation cried dark emotional emphasis expression eyes feeling Fezziwig give hand hath hear heard heart heaven Ichabod Ichabod Crane illustrations imagination inflection Jacob Marley Julius Cæsar kind permission King Lady Macbeth light lines listener literature live look Lord Macbeth meaning melody Merchant of Venice metrical mind nature never night Nolan oral pause phrase poem poetry practice Prepare problems prose reader reading aloud Reading of problems Recitation rhythm round sail Scrooge section 28 sense sentence Shakespeare sight reading Sir Anth sleep Sleepy Hollow soul sound speak speaker speech spirit spoken strong student syllables talk teacher Tennyson thee things thou thought tion tone tongue utterance vocal energy vocal exercises vocal force voice vowels William Herbert Carruth words